Categories
Stories

New Masters

By Sunil Sharma

The “animals” were happy.

The Ape was their chosen leader, as he was considered by the rest of the heterogeneous assembly, the nearest cousin of the people who had terrorized them for centuries but were now behind the bars, refusing to come out of their hide-outs, due to the pandemic.

Besides that, the apes were generally regarded as intelligent primates, almost rivals of the creatures that walked on the two legs. The apes understood the humans better but were repelled by their behaviour and action.

The meeting was essentially a stock-taking exercise in a locked- down city.

The animals were openly roaming the waterfronts and boulevards, earlier places of terror, capture and possible death. They enjoyed these outings, reclaiming the city from its architects. They were not afraid of being run over by the traffic or caught in a trap.

The Ape was young and confident. He was trained by a reputed scientist in a huge lab but had managed to escape captivity and gone on living in the woods that bordered the city, as a fugitive. The Ape was huge but gentle in demeanour, never hurting anybody in or out of captivity. He knew the ways of the “civilized” masters and was a painter and wore frocks in his earlier life in the camp, where labs were run by a crooked man — who owned half the burgeoning city — for developing serums for the biological warfare.

As an elected boss, The Ape was tasked to strategise and lead the campaign of the equality as the animals felt they were often mocked, called dumb in the zoo or hit on the streets, by the drunks and the kids alike.

He told the mixed gathering of different species assembled in the Central Park, “Friends, welcome to the New World Order. All the bipedal tyrants have been locked in their vertical cages, thanks to the COVID-19. What a joke! An invisible virus can stall the manic world of mad humans! We are free now.”

“And we thought the human masters were invincible, these spoilt and arrogant people, most ungrateful!” exclaimed an abandoned horse, in anguished tone, “Serves them right.”

“These guys called us animals! See their temerity. Always treated us as inferiors. Tortured us. In fact, they are the true animals,” an African grey parrot retorted.

“They kept us in the cages. For display. Fun. Small cages that almost killed us. Now they understand our pain,” a gold finch observed.

“And us, on tight leashes and muzzles,” joined in the German Shepherd Dog, barking ferociously. “Breeding us for business. Training us for their ways. Expecting us to obey their commands. We are their pets and slaves. Then shot dead by them. They must be punished.”

The elephants, lions, foxes, monkeys, squirrels that had escaped from circuses and menageries chorused a loud, “Yes.” And the wise wolf added, “Real brutes! Tormentors! Killers. They whip, starve and tame us for profits, always, everywhere. Keeping us all in cages and chains, the cruel raiders of the jungles. Shame on them! Now they are in the cages. Serves them right, the bastards.” 

“Shh!Shh!” the old mama bear cautioned. “Mind your language, friend. There are many children and women here. We never curse like them. Bad manners!”

“The most cunning species in the world! They label us as cunning. Ironical! Is it not?” asked a hurt fox. “Always judgmental! Always treating those unlike them in dress, skin-tone, language, region and creed, as the perpetual Other. Never trusting each other. Killing their own for property or woman or money. We never kill our tribe.”

Everybody praised the fox for her “clever” observations and contrasts with the incarcerated humans that walked clumsily and dressed in outer skins and wore heads on their heads called hats!

“Now do not talk and act like the human masters,” cautioned the old bear. “Let us be ourselves. We must never imitate them. Never pretend to be like them, our oppressors. Mind it friends, we have our own code. Be natural. Be yourself.”

“Right. They term us as predators and kill us for hides and body parts and tusks,” said a senior tusker, towering over the gathering, trunk raised; one tusk missing, another broken. “Fact is they are the greatest predators on this crowded planet.”

“And looters and invaders,” replied the woodpecker. “They have destroyed nature and our nests.”

“Poisoned our rivers,” shouted an otter. “We cannot breathe regularly. We are dying along with the fish and other creatures. Plastic and garbage choke us. Oil spills worsen the living conditions. It is a watery hell!”

“Now,” commanded The Ape, “We must destroy their nests. Gardens. Streets. Vehicles. We must shake down the very ground underneath their feet. Show our strength to these brutes.”

The animals immediately agreed. They wanted to get even.

“Let us take back their spaces, as they did with us,” thundered the Orangutan, “Virus or no virus.”

The enraged animals first declared themselves as Free Species of the Quadrupeds and the Gentle Vertebrates and the city and woods as their New Republic.

Then, during the lockdown, they took over human habitats rising towards the sky like a hive of vertical columns.

The unexpected take-over by the animals filled the trapped inmates with fear and dread of another newly-arrived threat.

There were many scary encounters reported on the blogs or social media, with pictures or videos posted of the uncanny sightings.

One account said:

“Friends of the besieged city — here comes a fresh danger. Early morning, I opened up the French windows of my ground-floor bungalow…only to stare into the red eyes of a hungry tiger looking straight into mine! Believe me, I stood paralyzed, mind and body benumbed with cold fear, a trickle of sweat prickled down my spine, the bad hangover gone. I faced certain death. The tiger lazily yawned, baring deadly fangs, eyes glittering, this huge striped animal– one paw swung at me and I would be gone. My body stiffened. Never expected such a deadly morning guest on my porch!  He saw my rifle and mounted trophy on the wall and emitted low roar. His eyes were filled with revulsion. Yes, I would never forget that look of hatred!

“Just then my grand kid walked in and smiled and said, ‘Hullo, tiger!’ She giggled and walked up to the ferocious beast, this six-year-old innocent. My old heart leapt into my mouth. I was reminded of a hunting expedition where, years ago, I had shot dead a tigress before her cubs! There was an instant transformation and the big cat dropped his head and did not growl.

“They played with each other and as her mom came searching for her, the tiger vanished! Disappeared into thin air. I thought I was dreaming the whole thing. The excited child said, tiger, tiger! Her mom could not understand her. She told the kid, ‘Okay, we will bring you a tiger soon.’ The poor child could not explain her joy of meeting a real tiger on the porch. Strange but true encounter with the beast, truly majestic—never thought it could happen and end like this, real time, in my house! Thank God we escaped death by mauling. It was Him who turned a ferocious beast into a lamb! A miracle only! Praise to the Lord.”

There were other interesting accounts of simian, reptilian and mammal surprise visits to homes. The most common experiences from the humans were utter shock, dread, intimations of mortality and a sense of deep disbelief from this unexpected rendezvous in most unlikely urban settings. Most narratives ended with the question: Was it real? Or, imagined?

As the animals gained confidence and COVID-19 pushed humans further into isolation, self-isolation and quarantine, the general fear of the animals spread like another contagion. People were bewildered. Infants wailed inside their little airless homes. The old and sick and the chained dogs were getting restless over the long summer days and hot-humid nights in that coastal city. Overpopulation did not help either.

And compounding their collective miseries was the daily appearances of animals in their midst, on their well-landscaped and maintained properties and other glitzy places.

The superstitious found indications in hostile stellar positions.

The religious chided the younger generation for abandoning faith and their dissolute ways — things that brought down the plague on a prosperous, modern city.

The youngsters called them hypocrites and blamed wars, famines and flooding to the older generation’s selfishness and indifference.

The city changed — an open-air zoo run by what they earlier called ‘wildlife’!

The only change: The previous spectators were behind the bars and the timings of activities. The new arrivals freely roamed any time of the day and the nocturnal ones, in the night, enjoying the sites.

The media blamed the virus and the country of its origin for this new mess. Others called it racism and dirty politics. Power blocks were formed. Politics played itself out along predictable lines.

Meanwhile, the capitalists sensed a good opportunity to fire half of the working population, citing recession and losses. Social scientists called it downsizing! Academia studied the development clinically and conducted webinars — mere sound and fury signifying nothing, as they used to quote often.

“One virus! It has overturned their world!” declared The Ape, during one of his meetings in the Central Park, now totally theirs!

As the days rolled down in flat succession — uneventful; dull; seamless stretch of darkness and light, and, one date followed another — the citizens felt breathless, stressed-out and despairing. They envied the freedom of the birds and animals moving around on the spaces once the privilege of the human race only.

And cursed foreign bats for the outbreak of the deadly virus!

It was a painful reversal of fortunes!

The masters were now slaves.

Slaves, new masters.

Each one of the citizens were afraid of the other and maintained social distancing. The class and caste persisted in the subtle play of power from earlier. It got more complex by the presence of this tiny virus that could not be seen by the naked eye. Corona — the general lament went on– had dramatically changed the communal life style of the people that were earlier unbeatable. Now, they cowered before the invisible threat. It was a leveler also. Elites were quarantined but were slightly better off than the others.

The Ape called his Council and declared, “We have no enmity with the masses. Our fight is with the Club that runs this city and the country. We will not spare them in case of a war against us. We will target the Club and its militia.”

“What is that Club?” asked the donkey.

“The Club is run by the wealthy and powerful– five-ten folks. Some of them are into drugs, weapons, prostitution, wars and other illegal activities. They enter politics and gain power, position and respectability. And decide the agenda for the rest.”

“The rogues. Ha!” exclaimed the donkey as the others of the Council hissed in sheer contempt for the shenanigans of the corrupt ten.

“The Club runs the politicians and public offices. Nobody can cross these raiders. Those defying get killed. It is a dirty world out there.”

The Council agreed with the summing up of the “civilised” by one of their best from the “wild” side of the divide.

“Be prepared!” The Ape warned. “These guys can attack us any time. Very deceptive!”
“How?” asked the donkey again.

“They attack their own. Family. Community. Nations. They fight and kill each other. We never do that. We follow our herds and never kill for money, land or profit. Or sex.”

The donkey brayed in full agreement, “I have seen this with my mistress many times, this digression.”

The animals laughed at the un-satiated appetites of the humans.

Few days later, the fox woke up The Ape.

“The Club is meeting in the Town Hall. Planning to hit us. Let us give them a visit.” The fox said, “One of the humans sympathetic to the animals and their rights told one of our mutual friends. They are meeting after midnight.”

The Council agreed to pay a sudden visit.

The humans were completely taken by surprise as the animals entered the Hall by disarming their police outside. In fact, the cops quivered and ran away after seeing the real brutes coming towards them. They stood no chance.

“What do you want?” The Chair asked, surrounded by his body guards who cowered before the Ape and the Gorilla and Lion and Tiger. The quadrupeds could smell fear in the stale air of the large Town Hall—and relished it.

The Chair was tall, wiry with bulging eyes. He began aggressively: “Yes. What do you want, you a bunch of intruders?”

He tried to act brave, but the bluff was called-off in a minute; in fact, his raspy voice croaked and he gasped for breath, hands shivering, as the mighty animals surrounded his gilded high throne.

The other members of the Club hid behind the chairs, eyes closed as the Lion filled the chandeliered room with a blood-curdling roar that shook the silver ware and lamps and windows. The Tiger growled and the Gorilla screamed a waaaaaaah. That scared the entire assembly of the two-legged creatures. Many bipeds shouted and fainted, so terrified they were of their new guests and their controlled aggression.

The Chair got disoriented by the general racket but willful as he was, recovered fast and said in a softer tone, and with a false smile, “OK. What do you want? Tell me, pals.”

“You tell us, Boss,” mocked the Ape. “You run illegal mining and extortion and killing of wildlife operations. Tell us what do you want? A campaign to finish us off permanently? Finish off the jungles and the life there?”

The Chair grew very friendly, “No, Mr Ape. Never, ever. You are our distant cousins, remember? We are all related. Ha. Why would, er, should, er, I think of mass extermination?”

“Then, what is the problem? Why this clandestine meeting in the night?” demanded The Ape, hairy hands clenched tight, nostrils flaring.

“We want you beasts to leave our land, please. That is all. LEAVE us ALONE.” The Chair almost commanded.

That was a terrible mistake.

“Who is the beast here?” asked the Gorilla as he stood up and thumped his chest. “You are the beasts. Leave our land. You beasts of the two legs.” And the Gorilla did his chest-thumping again and released a wave of the classic sound: waaaaaaah.

 The humans shrank further by this dual assault — aural and physical –in that closed space. Some searched for the exits but those were blocked by the animals that were enjoying the discomfiture of their former tormentors.

The air was getting thick with the stench of urine and sweat.

“And what land you are talking of? Is it not our land also?” asked the Ape. “It belongs to us as well. Not your monopoly. It is our land now.”

“But…,” whined the Chair.

“But?” asked The Ape.

“We have…I mean…hmm,” stuttered the Chair.

“Go on.”

“OK, Mr. Ape. We have cleared the land and invested millions in developing the land, you know, the infra, you know…”

This time the Gorilla spoke: “Developing or destroying the land, hills, rivers? You call it development? You have totally ruined the planet by now. Understood? Time to payback now.”

“Made extinct many species. Destroyed rain forests. Created a hole in the Ozone layer,” added The Ape furiously. “And you capitalists and leaders never cared! Never listened to the saner voices!”

The Chair was taken aback. “How do you know all this, big and brainless monkey…I mean, Mr. Ape?”

The Ape stared hard. “I was trained by one of the top scientists in your labs only. One of the best minds. Later on, he went mad, feeling betrayed by you and your greed for more and more. In that notorious virology lab, he committed suicide for betraying ethics of science and applied research, that fine mind duped by your glib talk of patriotism and all that shit.”

“Oh!” the Chair grunted, going slightly pale. “The poor man! Most scientists are mad anyway.”

The Ape did not like this, “You are a bastard!”

Both the sides faced each other now.

“You speak our language well. Even the cuss words so well,” fawned the vice-chair, “How come?”

He sounded condescending, despite the efforts to be otherwise.

“Learnt your language but you have forgotten our language, you, the hunter with a rifle. The language spoken by nature. Sad! That is the cause of the present crisis, this imbalance.” retorted the Tiger. “You killed many of our species, but I spared your cub that day. Remember, hunter?”

The hunter said nothing. He was past that emotion of contrition or feeling sorry for his wanton acts of destruction and cruelty.

Killing gave him a libidinal high, as money did to the capitalists.

There were tense moments. The confrontation was becoming inevitable.

Both waited for the other to blink first.

Finally, the Chair coughed discreetly.

The Ape looked at him hopefully.

“We apologize, friends for our foolish acts of the past,” said the Chair. “We mean no harm. We can share the same spaces with you guys. Now leave the Hall as there are some women here who have fainted and need hospitalisation.”

The Ape agreed to withdraw, after seeing the plight of the fair and pale women, mere appendages of the wealthy.

Before leaving, the Ape said to the Chair, “If you break your promise, there will be mayhem.”

The Chair promised on his holy book never to attack friends who did not look like them, as the words beast and savage and brutes were found offensive by the guests radicalised by the human language, and therefore, banned.

“I do not trust them,” said the fox, once outside.

“Let us see,” said the Ape. “Let us give them a last chance.”

***

Three days later, the animals were brutally attacked.

A family of deer were sitting in the park when they were killed by the bullets of hunters.

More attacks followed on the animals roaming the streets. The Ape met the Council.

They launched a counter attack on the humans and destroyed their vehicles and labs and released animals from zoos, private and public.

Many humans were badly mauled. Some died of fright and shock and bleeding.

The pitched battle continued for the control of the territories during the day and night.

The hunters and the army used tranquillizers, guns and darts. But the primates were smart and dodged these tactics. Their agility was superb and might, matchless. They climbed the trees and buildings swiftly and could immobilise the militia by their screams and swinging fists and flinging trees at them.

Throughout the night, the battle went on.

The Chair was keen to trap The Ape, but the latter was as evasive as a trained assassin.

Next morning, the Chair and his goons adapted a new tactic to capture The Ape, the leader of the animals: They used a baby chimp from a private zoo as bait and asked The Ape to surrender or they would roast the baby alive on the live coals for its tender meat.

“Barbeque the babe!” That was their chant over the public address system.

“Surrender! Surrender, you beast!” They taunted The Ape.

Despite the Council’s reluctance, The Ape decided to surrender in order to save the baby chimp as he could not bear the hapless wailing of its young mother. The Chair was jubilant and put him in the shackles and lashed the big guy mercilessly and then something strange happened.

It began raining heavily. The skies darkened. As the hunter aimed to kill the shackled Ape before the mass of cameras — the ritual killing was to be televised live as some kind of reality TV, with the commentary by the triumphant Chair, as the vindication of the superiority of the homo sapiens over the dumb, witless brutes of the lower order before an audience of millions lusting for blood, as done earlier, in the Roman era, by the wild crowds— a troupe of baby monkeys sprang into view. The hunter was astonished to see his granddaughter, the six-year-old, leading one of the simian babies, and, hold your holy breath; the teenage daughter of the Chair and other school children formed a human chain and moved forward.

What the hell! The Chair shouted over the public address system.

The teenage daughter named Gaia by his third wife looked straight into the cameras and said, “Dad, shoot us before you shoot The Ape!”

And hundreds of uniformed kids and old women stood around the shackled Ape and shouted in unison, “Kill us! Kill us, first! We will not allow you to murder such a fine creature.”

The hunter’s grand kid shouted, “Tiger! Tiger!” as the same tiger came out of shadows and joined the human protestors, all unarmed. The kid said, “Tiger! Come here!” He did and nobody panicked. They all stood still, linking arms together, facing the hunter and his goons, as it rained.

The hunter and his killers were stunned by this turn of events.

Gaia said, “Today, it is a virus. Tomorrow, more pandemics will follow, if you kill the wildlife so brazenly. Learn to respect these creatures of God. Beware. We are wild, not them. If they are destroyed, we will be totally annihilated.”

“Kill us! Kill us!” The children and women shouted, daring them to shoot.

More animals joined the protestors in the main plaza as millions watched on their TV screens.

The children hugged the wounded Ape and patted him lovingly, applying turmeric and herbal medicines on his wounds.

The Ape cried for the first time in is life of struggles and humiliation.

The militia waited.

The chain of humans increased in length.

So did the chant: “Respect them. Respect Nature, our mother!”

There was thunder and lightning.

And the rain beat down furiously on the players on that open stage, witnessed by the rest of the world, on that memorable day…

.

Sunil Sharma, an academic administrator and author-critic-poet–freelance journalist, is from suburban Mumbai, India. He has published 22 books so far, some solo and some joint, on prose, poetry and criticism. He edits the monthly, bilingual Setu: http://www.setumag.com/p/setu-home.html
For more details of publications, please visit the link below:
http://www.drsunilsharma.blogspot.in/

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Poetry

Walking & Spring in my Grandma’s closet

WALKING


She is Rumki
No one knows whether she is a Muslim or a Hindu
She mops the floor in a sari shop in the city
Babu tells there are insects in the air
He closes the shop.
.
Rumki decides to go back to her village
Goes to the estation, the trains are closed
The buses are not plying
Decides to walk, she starts 
Walking.
.
The mid-day Sun at her head
 Makes her hungry,
Chews a green chili and drinks water
Kneads the maps of her village 
Cements the cracks.
.
Starts walking 
She will walk until she reaches her village.






Spring in My Grandma's Closet

Does it remind her of the cheli
she draped as a child bride?
.
Sunlight peeps through the window;
she giggles — her bare gum protrudes.
.
The breeze ruffles her white mane.
Grandma falters a step or two;
.
she gathers her thaan and soft bones
as she enters the verandah clutching the railing. 
.
Granny cranes her neck to find a primrose waiving at her.

By Sutanuka Ghosh Roy


Notes: 


Cheli:  small sari wore by little girls during marriage in the olden times in Bengal
Thaan: borderless white sari the widows wear

By Sutanuka Ghosh Roy

WALKING

She is Rumki

No one knows whether she is a Muslim or a Hindu

She mops the floor in a sari shop in the city

Babu tells there are insects in the air

He closes the shop.

.

Rumki decides to go back to her village

Goes to the estation, the trains are closed

The buses are not plying

Decides to walk, she starts

Walking.

.

The mid-day Sun at her head

 Makes her hungry,

Chews a green chili and drinks water

Kneads the maps of her village

Cements the cracks.

.

Starts walking

She will walk until she reaches her village.

.

.

Spring in My Grandma’s Closet

Does it remind her of the cheli

she draped as a child bride?

.

Sunlight peeps through the window;

she giggles — her bare gum protrudes.

.

The breeze ruffles her white mane.

Grandma falters a step or two;

.

she gathers her thaan and soft bones

as she enters the verandah clutching the railing.

.

Granny cranes her neck to find a primrose waiving at her.

.

Notes:

Cheli:  Small sari worn by little girls in Bengal

Thaan: Borderless white sari widows were forced to wear

.

Dr Sutanuka Ghosh Roy is Assistant Professor and Head Department of English in Tarakeswar Degree College, The University of Burdwan. She did her doctoral dissertation on Two Eighteen Century British Women Poets: Hannah More and Lady Mary Wortley Montagu. She has been teaching at the undergraduate and postgraduate level for years. She is currently engaged in active research and her areas of interest include Eighteenth Century literature, Indian English literature, Canadian Studies, Post colonial Literature, Australian Studies, Dalit Literature, Gender Studies etc. She has published widely and presented papers at National and International Seminars. She is a regular contributor of research articles and papers to anthologies, national and international journals of repute like The Statesman, Muse India, Lapis lazuli, Setu etc. She is also a reviewer, a poet and a critic.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings

Three months later, Florence restarts. But not quite

By Ugo Bardi

The epidemic is almost over in Italy. After almost three painful months of lockdown and the loss of about 30,000 lives, the daily number of victims of the coronavirus is slowly dwindling to zero. In a couple of weeks at most, the epidemic will be completely gone. It is time to restart, but the damage has been terrible.

The lockdown is over and the Florentines are back, walking in the streets, wearing face masks, but free to go wherever they want, provided that they don’t form groups (“assembramenti“). A few tourists can be seen, slowly walking around, a little bewildered. Below, you see a picture of a few days ago with two lone tourists taking a picture of the “Porcellino” (Wild Boar) (the boar looks a little bewildered, too.).

Many shops have reopened, but not all of them — maybe 30% are still closed. For what I could see this morning downtown, all the open shops are empty of customers. The restaurants also look empty. The buses are nearly empty, too. Here is a picture taken this morning, with me and my wife the only passengers of a bus that used to be packed full before the epidemic. Note the signs saying “You cannot sit here!” They don’t seem to be necessary, given the situation.

To pass to you some idea of the somber atmosphere in Florence these days, here are two fragments of conversations I had or witnessed in the street. Maybe these people are too pessimistic, but I have a feeling that they have correctly evaluated the situation.

***

First, an exchange I overheard a few days ago while waiting in line at the entrance of a supermarket. I don’t know the names of the protagonists, two men in their 50s. The one who said he had a shop I recognized later standing at the entrance of a small clothing shop in Via Romana, in Florence. I am reporting from memory, but the gist of what they said is there

– Hello. How have you been doing? I haven’t seen you around, recently.

– Oh, nice to see you! Of course you didn’t see me! I was at home, like everybody else.

– Yeah, I was at home, too. But are you reopening the shop? I saw it is still closed.

–  Yes, it is still closed, but I am reopening on Monday.

– That’s good, right?

– Not so good, really.

– Why?

– What do you think I can sell? There are no more tourists.

– Well, you didn’t sell just to tourists. They don’t come here so often.

– No, but you see. Someone from Spain would come and buy something. Then someone from America would come and buy something. And so on. See? It made the difference.

– I see….

– So, I am opening yes. But I am just selling off the stock I have. Then I’ll close for good. In a month or two, I think.

– Really? Are you sure?

– How do you think I can pay the rent and the taxes? And for renewing the stock?

– Well, I think the government will help us.

– Yeah, sure.

***

Now, a conversation I had this morning with a man who had a kiosk selling used books downtown. Again, it is reported from memory, but I tried to reproduce the sense and the tone of what I was told.

See? This kiosk has been around for a long while. Really long, see, it was here during the war already. The woman who had started this business sold the license in 1946. Oh, yes, and I have been selling books here for a long time. Sure, I am 66 now. Last year I thought I could retire, but then I decided I could keep going for a little longer. But they have been ruining me. First, there used to be an antique market right behind the kiosk, you know that, and then the city decided to send them away — not elegant enough for the city of Florence. Sure. Before, people would visit the market and then stop here and buy books — I had some good books, even antique ones. I was known, people knew that I had those books. I still have a few. But the antique market is gone — they sent it somewhere out of town. Yes, it was not elegant enough for here, they said. They call it “decorum” of the city. Sure, and the people of the market are not selling anything anymore, where they are now. And I wasn’t selling anything, either. Well, a little I was still selling. Not much, but a little. But then this. I have been forced to close down for three months. And I told them that I couldn’t pay the license and the tax. And they say, fine, you don’t need to pay for three months. Then you have to restart paying, and that’s final. And if you don’t pay, they said, you bring back your license to us and we’ll give you a compensation of Eur 600, and that’s it. And good riddance. You understand? They are happy that I close. Perfectly happy. A kiosk is not elegant enough for the decorum of the city, they say. Maybe they think that when tourists see my kiosk they run away screaming. Tourists like fancy shops only. And I have to pay 54 Euro per day — yes, 54 euros in taxes and fees to the city. And I have to sell books for more than that if I have to eat. And to buy more books to sell, otherwise, what am I going to sell? Don’t you see? There is no way. Nobody walking around, nobody buying anything, no tourists, they have gone. I should have retired last year, but I couldn’t have imagined…. how could I have imagined this? And the city helping us? Ha! The mayor says he is furious, yeah, sure, he said that. I read it in the newspaper. He said he is furious because the central government didn’t give him any money for the epidemic. That’s what he said. And what should I say, myself? If the mayor is furious, how about me? I have been giving money to the mayor for 30 years and the mayor now is furious because he has no money to give to me. Aw…. even if he got some money from the government, I am sure he won’t give any money to me or to the people who have shops and who need money. Like me, that’s it. And so I’ll be closing down. I’ll be just selling the books I have and then good riddance. This square will be empty: no antique market no kiosks, nothing. I figure they’ll be happy. It is what they wanted all along, decorum, yes. An empty square, and that’s it.

(*) The owners of the Calzoleria Leonardo Tozzi in Via Romana were kind enough to give me permission to publish the photo you see at the beginning of this post. If you happen to be in Florence, and you need a shoe repair job, you can find them in Via Romana 135r, just a few steps from the clothing shop mentioned in the first conversation reported in this shop.

.

Ugo Bardi teaches physical chemistry at the University of Florence, in Italy and he is also a member of the Club of Rome. He is interested in resource depletion, system dynamics modeling, climate science and renewable energy. Contact: ugo.bardi(whirlything)unifi.it

.

This article was first published in Countercurrents

Categories
Poetry

Mulberry Tree

By Chandni Santosh

.

The day we returned from the mulberry tree,

You bought me a pair of gold anklets,

With the thirteenth symphony set inside,

The symphony of sadness.

.

When l walked,

I carried the weight of those days on my ankles,

And the river in my eyes,

Threatening to flood at times.

.

You sat me on your lap,

Dressed me in your favourite shirt,

Red prints on black,

Holding a wide mouthed glass of whisky,

With the ice cubes making

Gurgling sounds. Tinkling.

.

Your smoke swirls on my shoulder,

My mouth,

And the anklets melt on each other,

I sip at times from your glass,

And puke. 

Tell me where you buried

The child. You hide your face in my harassed hair,

Blow the blue smoke into its strands.

Tell me.

.

The lights have been switched off,

Only the night light pours in through the gauzy curtains,

Tell me. You clink the glass and blow the smoke

Into my hair, my mouth.

.

The mulberry tree is the marker. After l leave, 

Do not sit under any mulberry tree.

There is a light cardboard coffin 

Buried beneath it. 

.

Chandini Santosh is a novelist, poet and painter. Her poems have been published widely in solo collections, journals, anthologies and magazines. Her third novel, `Blood Brothers` is ready for release.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings

The Thumbelina Chronicles

By Sangeetha Amarnath Kamath

Prologue

April 2018

The fiery accents of orange-gold in the western sky had gingerly muted into a soft peach. Rich hues of champagne and pastel pink blended with the steely greys in the horizon. A flurry of various birds and their dark silhouettes dotted the myriad tints as they returned to their roosts. They cackled joyously as they flew overhead. The chorus and the orchestra of the birds gradually drifted into the distance until I could only hear an echo or a settling-in faint cluck from a faraway tree. Everything had gone quiet and still outside.

 I felt anything but elated with these songs and sights of creation which would otherwise have stirred a sense of exhilaration in me and have me hurriedly rummage about for my camera. Those were the extremely wretched of days when I had just about struggled to get my bearings together after an unfortunate and untimely demise of an infant in the family, a few days earlier. The disbelief and emotional upheaval was taxing, to say the least.

Snapping out of my reverie, I realised that the sun had long since set. It was a cloudless night and the sky was an enveloping petal of spring Iris, all aglow with a serene silvery sheen.

A faint voice relentlessly cooed and called out from somewhere inside the house. Being conditioned to all the chatter of the mynahs and the clucking of pigeons which roost in some hidden alcoves of the tall apartment building that I stay in, it was also a common sight of them fluttering across the common corridors outside, which went unperceived sometimes.

Quite engrossed with my last minute dinner preparations after a long, busy day at work and running errands, I regretted to have failed to notice this melody sooner. When the cobwebs finally cleared from my befuddled head, I rushed on tiptoe, ever so quietly to find the source of this tune. Standing her ground firmly and boldly in a shaft of moonlight, in one of the rooms was the tiniest of birds, as yellow as butter. A first-time visitor, who had separated herself from her flock and had stopped by to actually trill a birdsong. Long after sundown.

Birdie noticed me but was not startled. Confidently, and in a higher pitch, with every ounce of energy, she gave an overjoyed tweet upon seeing me. I whistled to her in varied tunes and Birdie responded likewise. This musical opera continued for a while and I lost track of time.

Having sung and done that, Birdie decided it was about time to leave.

She made her way out and disappeared without a trace. Never to return.

The pearly luminescence outside captured only a silhouette in flight of my sublime emissary. Rare birds they say are fairies in disguise, who come to comfort you, reassure you! The mystical message in her beatific lyrical was for me to decode.

I believe in the Mystique and the Magic.

Magic comes to me, it sends me signs from the unseen world, the mystical realms.

I know all is well up there and the Heavens are kindly taking care of you.

***

I

Nigh 2 years later

April, 2020

It was eight at night. She was yellow-bellied with shimmers of green as I looked closely, the only light emitting from the living-room I was watching her from. No bigger than my thumb, one could easily mistake her for a toy, but for her incessant chirruping. She sat dangerously close to the edge of the window sill and was seemingly in dire need of help. I stretched out my hand as much as I possibly could, leaning against the window frame. But she was just out of reach.

A nestling on the window sill! Or was it a magically minute bird that had come to life out of a fairy-tale?

With a frame so tiny and wings so frail, it was next to impossible for her to fly all the way up to the top floors of this high-rise or for her to fall out of any nest, considering that there weren’t any trees or even overhanging branches anywhere close outside this window.

Habitually, as I give my own names to any stray animals or birds that I come across, this little bird for all intents and purposes was aptly dubbed Thumbelina. I kept her engaged with my own animated banter.

 Are you hurt, injured, sick or lost little birdie?

But Thumbelina just cocked her head and looked at me with twinkling eyes. She never seemed livelier or more than happy to just warble away to me. After a while, she roosted snugly on the sill.

Sending up a quick prayer to Archangel Michael to protect her from toppling over in her sleep, another one to Archangel Raphael to heal her if she was in distress, I finally hit the sack.

These two angels had never failed me whenever I had called out to them and I was rest assured that Thumbelina would be in Divine hands.

The next day, the break of dawn brought with it a bustling multitude of chirps, twitters, cheeps and the laughter of my feathered friends. I rushed to check on Thumbelina, but she was gone! My heart did a somersault at her absence, thinking of the worst tragedy that might have befallen her. Although that bleak thought niggled at the back of my mind, my faith in the angels was steadfast.

As the day progressed and when the sun was strong enough, I slid open my bedroom window to let the natural light in… and there she was!

Thumbelina!

She had flown a full circle from a window at the other side of my apartment to be right outside my window!

She squawked a quick ‘Hello’. Thumbelina was more exquisite in the bright sunlight. Her dazzling feathers were an iridescent green.

 Perched on the ledge, she fanned open her tiny wings and flapped them to show me that she wasn’t injured. She hovered a bit off the ledge of my window sill to show me that she was strong enough. With a swish of her tail feathers, she flew the entire perimeter of the building effortlessly and turned the corner. I craned my neck outside, until I could catch sight of her no longer.

***

Gleaning back into the events of a few days preceding this, I realised that I had been constantly dwelling on the past thinking about Mamama, my maternal grandmother.Although three decades had gone by since her mistimed passing, the memories of a companion with whom I had a deep bonding and attachment right from my childhood, until my early teen years had never truly faded away.  From her, I had had a complete absence of judgement, share what I may. The advice that I got from her was always right, full of wisdom and logic.

While in meditation and also during my last state of wakefulness every night, I always and to this day, have invoked her for guidance through dreams or an intuition.

 Thumbelina had come precisely at this time as a harbinger— to see me, meet me and to symbolically show me that:

No matter whosoever is bigger and stronger around me, I’m not cowed.

 Nor is my spirit injured. It is always whole and restored.

God and his angels always have my back, no matter how tiny, frail and lost I feel.

The essence was delivered, which I could interpret.

This reinforced my belief that our beloved, departed are among us in various forms and spirits. Birds, moreover are said to be oracles from heaven.  The more eye-catching they looked, I would always be comforted with the thought that they were from a Godly realm.

And Thumbelina was just that — rare and exotic.

To all other eyes, she was just a nestling… lost at night.

***

II

Thumbelina Returns

April 2020

Lockdowns had given me long stretches of time to reflect and introspect. Preferably, I would like to call it my Retreat. Lockdowns sound more like serving a term, so a big no-no to this word.

With huge encouragement, repeatedly in the past from my mother, and also from a dear friend to whom I always turned to for advice had given me great moral boost, to hone my craft of writing. It was about and the right time to give it a try. The opportune moment brought with it a synchronistic, fortuitous guidance and a nudge in the right direction from my professor in English.

Making the most of this downtime, I flipped through my archived journals to whip into shape some closely guarded, drafted reminiscences to present a chronological storyline

I had decided on my debut to be a grand tribute to Mamama.

A symbolic affirmation from a bird was all that I needed when Thumbelina had first made a cameo appearance in my life, some days back.  I always upheld the belief that I have spiritual guides in all forms and most importantly, birds topped my list. They do, and had shown up at crucial moments and decision-making times.

These were signs from the Universe, little intuitive and affirmative green lights to go ahead. To take that chance and to submit my piece, showcasing my humble tribute.

Apprehensively, as a raw newbie writer, I was open to the realistic possibility to outright rejection with a lot of critique. Nevertheless, strong will ruled the day, to take the plunge. Reintroducing myself to Microsoft Word, with which I was out of touch for ages now, I typed away fervently from my diary. In effect, it was an immense unburdening and a cathartic release of emotions all over again.

April 9th, 2020 went down in my calendar, a date marked for life. For two reasons.

The unbelievable had happened! Nothing short of a miracle when my debut memoir which documented a toddler’s attachment to her grandmother up until her early teens until fate cruelly separated them by her ill-timed decease, got a wider audience through its publication.

Something so nostalgic, so sacred, so close to my heart had got validated. It was like the Universe saying to me with a huge benevolent smile— “You asked, you believed, you received.”

***

I hadn’t in my wildest dreams imagined Thumbelina to make a reappearance. But to my amazement, she did. On this very blessed night that my Memoir got acceptance.

Epiphany! Blink and I would have missed her. If she hadn’t made a great deal of grabbing my attention.

She flapped away furiously with her frail wings with all her might against the thickness of the drapery of my bedroom window. My heart had missed a beat, wary of the strange sounds outside, thinking it could only be a dreaded bat.  

But it was Thumbelina. With an iron-will she inched her way in through the window bars into the room. Gliding gracefully in slow swirling arcs above me, her melodic voice trickled with high-pitched piping and congratulatory tweets.

Without asking for much, except to see me, the air resonated mellifluously behind her as she made her way out swiftly after her mission was accomplished.

No doubt, a celestial guardian or…a seraph?

Well, it could only be a loved one, come down to bless me… in person!

And it has been so ever since.

Birds and I have a thing!

Thank you for the melody, that’s precisely why my heart sings with a better chord today and is a steady, rhythmic drum to your chime and hymn.

.

Sangeetha Amarnath Kamath is a B.com graduate from St. Agnes, Mangalore, India. She has resided in Singapore for the past 19 years as a homemaker. She has a passion for writing which is self-taught. She has published her work with Twist and Twain.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Poetry

Double dread

By Madhu Srivastaw

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Corona cries all around

Amphan raged destruction             

Yet I am me

Living on day to day

Settling my daily scores

Domestic, parental chores

Transferred money to PM fund

Gave food to beggar that came home

Wrote a poem or two

As Amphan screeched it’s belly out

Wrenching people’s life in tears

Rendered roofless by a spat of wind

Precious trees breathing life

Uprooted, broken, lying low

Immersed in darkness of night

With cyclone screaming raging rife

I kept the kids with me in bed

Diverting them in singing sprees

My mother with her heart in mouth

Kept her fingers clasped in prayers!

It diminished slowly…flew apart

Taking away our comforts fast

Electricity snapped; network gone

At least we had our homes intact

Yet we cribbed, sulked, complained

Though hundreds had lost their homes

Torn apart by Amphan’s fury

Coastal areas lost their lives

Electric poles all headlong down

Uprooted shrivelled trees abound

Government help haplessly seek

Only God can save us now

As though Corona was not enough

He sent Amphan to double the dread!

.

Madhu Sriwastav is Assistant Professor of English. She is based in Kolkata. She is a poet, translator, critic and reviewer. She has published poems in various national and international journals and anthologies. She has performed poetry in several poetry festivals. She writes on anything that touches her. She is working on her upcoming book of poems.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Young Persons' Section

Sara’s Selections : May 2020

Everyone has a nose and an opinion on the new normal. It can get overwhelming sometimes. But there is one category whose views have been ignored and dismissed as ‘unimportant’ at a time when the world needs fresh voices and perspectives the most. 

That category is none other than children, the very same set who will inherit the world.

In a world obsessed with keeping children ‘engaged’, everyone is an expert on home-schooling and DIY ideas but no one pauses to ask children how they feel. 

How has life changed for the pre-teens and teenagers? What are family equations like? What do they miss? What are their aspirations? What moves them? What disappoints them? What surprises them? Who inspires them?

At Bookosmia, India’s premier writing platform for children, these are some of life’s intriguing answers the brightest young minds choose to share with Sara. 

Sara, the storyteller

Who is Sara? She is India’s first stereotype busting sports loving girl and storyteller. Sara is already a big hit amongst parents and kids alike. She was rightly and fondly called “our new best friend” by The Hindu and has since then been featured extensively for creating a repository of stories, poems and essays written by children, giving a unique insight into their minds. 

Sara wants every child to tell their story in their own words. 

And so, day after day, week after week, she is flooded by entries from bright 7-16 year olds in New Delhi, Gurugram, Bareilly, Vadodara, Mumbai, Chennai, Ranchi, Kolkata and even Switzerland exhibiting powerful emotions and viewpoints that are truly eye-opening.

Her latest writing prompt #GratitudeDuringCovid, an effort to encourage young voices during a difficult time was hailed by parents and children alike. 

While younger children wrote to her about being thankful for nature, getting to spend time with their parents and hearing the chirping of birds, the 12-year-olds and above shared pieces on becoming conscious of the privilege they have, of the freedom to “go inside themselves if not outside”, of empathy for their domestic staff and of exploring a new self. 

The series was a first of its’ kind insight into the minds of the children and was covered by national media like The Hindu and The New Indian Express. 

“While we see many memes on parents facing difficulties in handling their children during this long lockdown, we hardly bother to think about how these children might be feeling. But someone did think of them,” noted The New Indian Express while lauding Bookosmia’s writing platform for children. 

It is in this context that we are stoked to bring select essays, poems and stories from our young writers at Bookosmia’s ‘Sara’s Corner’ to Borderless, a truly revolutionary international journal that has made such a deep impact within a short period. We can think of no better place than Borderless to encourage these young writers to write down the emotions they bottle up for fear of judgement. 

Through this association with Borderless (see rules of submitting in Submissions), we are confident that young writers will come home to exactly what they were looking for — a warm, welcoming, and healthy space to express, learn, discuss and debate. 

Let’s put those webinars and Zoom classes on hold for a bit. It’s time to listen to what the wise young ones have to say.

—-Team Bookosmia

Essays

Its OK Not to be OK

Nivedita Chawda

By Nivedita Chawla, 17

Michael Jackson said “stop existing and start living.”
I feel this lock-down was about slowing down and changing our yardstick of measuring things. 

Personally, my yardstick of happiness, was being productive. 

I love getting things done and checking them off my to- do list, and then I love making more to do lists. I would see my friends doing 100 push-up challenges, doing various courses on Coursera, cycling every morning and naturally I’d compare their progress to mine, and felt like i was lagging behind. But I realized that this is pandemic, not a productivity contest. 

Some days if i manage to get out of bed after a sleepless night, shower and sit for my political science class, its enough. It’s okay to have a dauntingly long to- do list and not get anything done on it, its okay to not have a to do list at all. This pandemic has made me realize that its okay to not be okay. You can’t change this situation, all you can change is how you deal with it. 

Being privileged in your AC rooms doesn’t necessarily mean you HAVE to be in an emotionally better place. Grateful that you’re in a better place than struggling migrant workers and failing businessmen? Sure. But your 17 year old self doesnt have to take up the responsibility to heal the world. Today, if all you do is water the plants, watch the sunset and play cards with your family, its okay. Amidst all your luxuries and comforts you can still choose to feel discomfort. The world is healing in its own ways, you can heal in yours.

***

Children look forward to future pandemics?

Meghna Girishankar

By Meghna Girishankar, 16

Children look forward to future pandemics?

During a time when the world has been massively hit by the effects of COVID-19, with almost every individual facing its brunt, there might actually be a  certain set of them who are loving what the pandemic has to offer. And they are children.

Before we can even attempt to fathom the logic behind this, pessimistic  thoughts would have already started coalescing in our minds: How can one be  so self-centered? Aren’t such ill-fated thoughts purely selfish? But as the  saying goes, “Don’t judge one’s choices without understanding their reasons.” In order to truly comprehend this seemingly inexplicable desire of children for wanting future catastrophes akin to the prevalent one, we must analyse their  thought- process behind the same.

Children like to receive their parent’s undivided attention and to be loved, by engaging with their family. In the pre-corona world where both parents were  working, getting to play a game of chess or having a family movie date was almost unimaginable and tantamount to a privilege, for children. Working  parents would be consumed with their work lasting till the wee hours of the night. As a result, they barely, if at all, could make time for their children, who, all along, have become accustomed to this treatment.

Now, anything that reverses this trend, with children seeing more of their  parents around and getting to experience more quality time with them would definitely provoke feel-good vibes. And this is just what the pandemic has achieved. As parents are working from home, they have more time to bond with their kids over activities like cooking, gardening and dancing. Children are certainly liking this whole new experience of having their whims and fancies being addressed, and would want it to continue in the future as well.

However, they are anxious that this might only be a ‘limited period offer’. Post rehabilitation, once economic activity resumes, things would go back to being the way it used to be. Ingenuous as they are known to be, children hence feel that the outbreak of such pandemics is a good omen for them. We cannot entirely blame them for such thoughts, as they are young and oblivious to the fact that what they consider fair might not actually augur well with the rest of the society.

In fact, parents are partly to blame. If they had ensured to set aside time off  their other commitments to bond with their children on a regular basis, this notion wouldn’t have even crept into children’s minds.

It is a parent’s duty to reason with their kids that what they see as right, might  not necessarily be so, since it is quintessential to take cognizance of a broader viewpoint. This will only be instilled in children when parents are more involved in their child’s life. Parents should therefore make a conscious effort to maintain a healthy work-life balance so that children don’t feel left out.

After all, children do not remain juvenile forever, but while they do, better to cherish those priceless moments with them!

***

Unlocking feelings in the lock-down

Devbrat Hariyani

Devbrat Hariyani, 16

Empty. Vacant. Bare. Abandoned. Deserted. Void. Dark.

These are the appellations I gave to my feelings before this lockdown. I was constantly overlooking my blessings. I did not know what I loved nor the things that I owned. It is the last two months that have allowed me to reflect. They have given me credence about my thoughts because believe me, I was just a lonely, friendless child before this turn of event.

The two little words in LOCK-DOWN have actually played a contrasting role to my thoughts and feelings. I have “unlocked” them and obtained wisdom through stories. Stories of people who made their lives worth living on this planet and left it while inspiring others through their creations, experiences, and their service to this world. These stories have allowed me to have a sagacious vision of how people function to make their lives meaningful. It has made me structure my long term goals of becoming an entrepreneur and making a difference in this evanescent world that we live in. In fact, this lock-down has taken care of the seemingly little things in my life – my sleep schedule, fitness, my connection with novels, and it has even helped me to end my addictive relationship with Netflix.

This lone time led me to ponder upon the ideas I never thought I had, such as how each and everything has a philosophical side to it and how faith, imagination and intuition have influenced us to perceive things in our own way. I started to observe the smaller fragments of the approaches people take towards a situation. I watched how my mom and dad work with each other, how my younger brother imagines his day before starting it, and how my grandfather integrates his religious knowledge into his tasks.

This lockdown has practically defined the word “growth” for me. Not for a moment did I believe that my life was going to ameliorate this way, but this short period has unleashed my imagination to its endless possibilities, and it has helped me reconstruct my beliefs.

I have been integrating several views of people around me to find the true perspective of the world and myself. I did this while building solid relationships with a few friends that I know will last a lifetime. Because, after everything that I will have achieved in the future, the things that will matter the most are these friendships that I spend time on now.

So the words that I would attribute my thoughts to are-
Appreciative. Creative. Developmental. Conscious. Magnified and finally, Introspective.

***

Poems

There is no one to blame

Lavishka Bajoria

By Lavishka Bajoria, 7 

I am thankful that we have beds to sleep,

Poor people who don’t have it, they weep.

.

I am thankful that I can wake up late,

By staying at home I am also  safe. Late and safe don’t rhyme.

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In this lock-down I am in a happy mood,

I am also thankful that I get food.

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We are always playing a game,

There is no one to blame.

***

Grandma’s Tale

Ahaana Kandoi

By Ahaana Kandoi, 13

“And there was no sign of an individual on the streets
Not even one where there used to be a myriad.
All engrossed in the news
Hoping that some positive message comes along.

That was the situation of the virus outbreak,
a disturbed time for all beings” said grandma.
“Both you and me were held captive in our houses
The towns had ceased to function.

Death rates increasing with the blink of an eye
And the infected were the hostages
There was the lot of the careless few,
Who were determined to not care
There was the lot of the educated illiterate
Who always seemed to be heedless.

However changes began as true leaders came forward.
Many people set good examples and they were followed.
Soon people disappeared into solitude
They began to follow the rules.
They stopped complaining and took to action
They were ready to give up on social lives
“We can get through this, we can do it,”
Were the words on everyone’s lips.

Development of technology began
Even in these terrible times
People began working from home
And brought about a progress in their countries.

And oh! The world how beautifully it evolved
The earth was once again replenished.
Turtles, dolphins and other creatures seen rarely,
Were now a common sight.

And if we look at the bright side
No theft, rape, abuse, slaughter occurring
And all were once again enthusiastic
The happiness again restored.

The people were now jolly and jovial,
7.8 billion smiles had driven the virus away.
So children, the lesson we learn today is the greatest one of all,
United we stand, divided we fall.”

***

The world is better because of you!

By Vansh Garg, 17

Ode to Mother

Mother

A being like no other

One capable of exuding so much love

So much inspiration to fly above

One capable of becoming equally as harsh

.

When your diligence and manners run scarce

As I wake up every morning,

My mom holds me close

Oh, I could enjoy this forever,

Alas, if only this moment forever froze

She lies there, a being infinitely wise

This feeling of warmth, it moistens my eyes

.

Years pass by, oh, there my youth goes

I’d never give up this feeling, her holding me close

The creator has created 

The perfect master plan

To run this world, on its own

Clan after clan

.

I’m part of this creation

As real as can be

Made possible by my mom

Who gave birth to me.

.

To her, I’m foolish

I am naughty and naive

Nevertheless, a part of her

Blessed to be alive

I may be annoying and childish

But my smarts are what mom gave me

.

I strive to be as infinitely selfless

As my mom, its epitome

I want to meet the creator

For them to feel the magnitude

Of, at being my mother’s son, my

unending gratitude

.

To all mothers, a Happy Mothers’ day

Achieving what you have I’ll never be able to

We dedicate to you this day

The world is better because of you.

***

Stories

Pumpkin Girl

By Ira Shenoi,6

#Sara’s Activities: Tangram # 10- Pumpkin Girl


Once upon a time there was little girl called Iri in a village very close to deep dark forest. She was walking in
the forest and found a small pumpkin. It was a magic pumpkin and started to grow bigger and bigger. It grew
so big that the girl decided to make it as her home. Slowly day by day she carved a bedroom, living room and
balcony for her inside the pumpkin. It was the cutest house and everyone called her pumpkin girl because she
lived inside a pumpkin.During the day she would go around the forest picking berries, nuts and fruits to eat. All
the animals in the forest like rabbits, butterflies, squirrels and bears were her friends.

But, other side of the village lived a big monster called Big Tummy Monster. He was called so because, he had
a big stomach and a huge appetite. No matter how much food he ate, he used to be hungry all the time.
People from the village had to cook for him and take food many times in a day, otherwise he would scream
and threaten villagers saying, “I will eat you all up!” People in the village were very sad and crying!
The pumpkin girl saw people crying and asked them what the reason was. They told her that all the food they
had was given away to the Big Tummy Monster and now they would not get anything to eat, even for their kids. If
they don’t give food, the monster would eat the up.

The girl thought of a plan, she went to the monster and said, “Hey Big Tummy Monster, you are hungry , right?
All you need is food, right? if you are really strong come and eat my pumpkin house!”. The monster came over and started eating the pumpkin, the pumpkin was so big that the monster could not finish it up. But the monster didn’t want to give up, and kept on eating and the stomach blasted out open, the monster ran away into deep dark forest in pain and was never seen again.

The pumpkin girl had rescued the villagers from monster, but now she didn’t have a house to live it. The
villagers thanked her and offered to build her a home. But she was not interested, she went to forest and kept
looking for a pumpkin. She found a small cute pumpkin. When she touched the pumpkin, it turned into a huge
one. She could make it as her new home, the villagers helped her turn into a home, and she was happy as ever.
“Do good and be kind.”

***

“Holi is for everyone,” it is said. Even for colour black?

By Anoushka Poddar, 10 

Bookosmia Holi is for everyone childrens story

“What in the world were you thinking?” the boss cried.
“Who would want to buy a black colour for holi? I know you are new but that doesn’t explain why you made a black colour. Now pack all of it up and throw it in the bin outside.”
The worker meekly agreed and did as he was told and I was tossed outside.
I was feeling very cramped and stuffy inside that packet. I tried wiggling out but ended up spilling a bit of me instead. My eyes widened in alarm as I lay still like a brick.
This new worker at Colours Factory had accidentally made me, a batch of black organic colour. Nobody would have played with black colour so the boss told him to throw me away. As I lay on the trash, surrounded by fruit peels and plastic bags, little black rose heart filled with self-pity and remorse, I asked myself what had I done to deserve this? I had only been myself! I guess
there is punishment for that too.
Many days passed as I lay in the garbage bin and Holi was very near. On the eve of Holi, a little beggar girl came wandering by. She started searching in the bin, looking for something she could use or sell. When she saw me her eyes lit up and filled with tears. Laughing and crying at the same time, she picked me up and started twirling me around. I felt so happy and at ease.
Me, a packet of black colour was giving someone so much joy.
I was on cloud nine. The girl immediately took me home. All her family members were so elated that they almost jumped with joy. They stored me on a wooden shelf, hoping to play with me on Holi.
The next day I was taken out and opened. The family had a wonderful time playing with me as they could not afford colours and very rarely got them. I was soon finished but the family was not sad. In fact they were very happy that they at least got to play with me.

This was a very quick end to my short and dramatic life but I felt amazing that I was able to help somebody have a good Holi. I felt that this is the true spirit of Holi. When they say ‘Holi is for EVERYONE’, they are right!

The Pied Piper of Hamelin- a retelling!

By Riddhiman Gangopadhyay, 13

Bookosmia Pied Pipe fairytale rehash

The rat infested city of Hamlin was in distress when the mayor finally decided to take some action
against the vermins.
A few days later he brought a funny dressed person with a pipe to drag away the rats.
The person said that his name was the Pied Piper and that he was worthy of removing the rodents from the city of Hamelin. Both the mayor and the Pied Piper had agreed on the sum of 1000 guilders. About a week later, the Pied Piper was out on the streets with an army of rats which was getting bigger and bigger with every joining rat following him. They followed him to a cave on the outskirts of the forest where the rats disappeared.
He went back to the mayors office to get his payment and leave the city. But the mayor jumped up on his chair when he heard that the payment of thousand Gilders had to be made as if the deal had never been made in the first place.
Riddhiman, a little boy of Hamlin was hearing impaired and although the other children laughed at him, he could never hear the sounds of the laughter. When people cried, he could never hear the sounds of sorrow either. But he knew that what God had taken from him in hearing he had gifted to him in curiosity and alertness. On the other hand, the Pied Piper was planning something that would certainly spell do for most of the people of Hamlin.
Next day, the Pied Piper was executing his plans. Children, chanted by the sound of the Pied Piper‘s piping came flowing out of every street. The parents did not have a chance to stop the children for they were under the spell of the pipe too. They were made into temporary living statues.

Bookosmia Kolkata Pied Piper rehashed

The young Riddhiman, driven by curiosity followed the group of the enchanted children. As he was deaf he could not hear the music and therefore was not under the spell of the Pied Piper but he understood that the Piper was kidnapping the children to take revenge on the mayor.
Riddhiman followed the children into the cave where the Piper had taken the rats. He pretended to be under thr spell too. He waited for the Piper to sleep then he slowly came out of the cave and locked the cave entrance by pushing a rock.

He then went to the mayor to strike a deal with him in sign language. He said that he would take 3000 guilders to tell them where the children were and hand over the Pied Piper as well. The mayor agreed.
With the children back home safely and the Pied Piper sent off with a reprimand, Riddhiman bought a cruise ship and sailed away into the seas like he had always dreamt about.

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Categories
Musings

Amphan Stories: Uprooted Trees & Broken Nests

By Devraj Singh Kalsi

The giant tree was pulled away from the bosom of the Earth after an intense struggle that lasted for several hours in the dark. It was razed to the ground much like the vandalized bust of a dictator overthrown in a coup.  

The birds in all their wisdom had chosen to build their nests in the sturdy tree that came with the implicit assurance of a safe haven. The tree that listed several encounters of surviving severe cyclones in its resume had caved in this time after four decades of brawny existence.

Birds asleep quite like passengers in long-distance trains that collide in the middle of the night – a big jolt wakes them up to discover their world turned upside down. Something similar must have rattled the birds when they found themselves closer to the ground through the thick foliage of leaves that cushioned their unceremonious fall. 

Imagine those moments of confusion and hopelessness when they extricated themselves from the wreckage to fly off to nearby safety. The swaying electric wires clutched their nervous feet as they tried to make sense of the world during the incessant downpour, vigorously shaking their rattled heads to puff up resilience in their wings, waiting patiently and calling out other members of the family to unite. 

In the wee hours of the morning, I woke up to hear fresh new voices in the garden. As I opened the window of my study, the reality outside and my imagination matched like the blood group of two strangers. The guava tree was the makeshift home where the homeless birds had now gathered and perhaps united with their loved ones. Their chirping was probably their excited conversation to chalk out the future plan of rehabilitation. More birds flew in and sat beside their families, sharing updates of empty spaces available in the mango and jackfruit trees where they could build new nests. Agile and faster than human beings in rebuilding homes, some were already flying around carrying pieces of straw and wires in their beaks as the new foundation for cosy, durable nests to cuddle in.  

Quite a few of their flock sat still and gazed at the uprooted tree, perhaps fondly recollecting the good times they enjoyed up there. Like us, they were probably fond of living in grandeur. Maybe they were also proud of having an opulent residence in a giant tree that looked like a mansion. With no other tree of such magnificence around, they would now have to settle down with some modest options.   

I joined the birds in observing the uprooted tree. The vacant space was brimming with strange, unfamiliar brightness. What stood hidden behind the tree all these years was now clearly visible. The balcony of the neighbour was in full view. The death of the tree had brought us visually closer. I was not too happy with the new reality and I do not think he would be happy either to reveal the colours of his innerwear left to dry on the balcony railing every day.

I was habituated to look in that direction because of the giant tree. I looked at it whenever I was thinking of ideas. The circle of leafy delight energised my mornings. The sight of the tree stirred and stimulated creativity. Now the neighbour would think I was gazing at him or waiting for the beautiful women of his household to stage an appearance there. He would go further to call it an invasion of privacy – the arousal of voyeuristic tendencies.

I suspect my repeated gaze would make him erect a glass window to cover up the balcony area, to stay safe from my ogling. I would still be looking at the giant tree because it is planted in my mind forever. I would still look at it through my inner eye and seek inspiration. Difficult to make people understand that creative folks often fix their gaze at something but they think of something completely different.    

The relief team arrived with a truck – hearse to ferry the mortal remains of the tree. They were more brutal than the cyclone as the dead tree was axed further, chopped into small logs to be sold as timber. Only the tree trunk was left behind and people gathered to click its photos for their social media feeds. Some strangers passing by stood silent to mourn its demise more sincerely than the residents around. The uprooted tree created no signs of emotional distress in the people who lived in its vicinity. Perhaps it is true that the death of a family member does not necessarily cause much agony to the survivors in the family – people who have no blood relationship are also likely to shed more tears.  

A fleeting thought of grafting its small branch in my garden – with a concrete slab to perpetuate its memory – did cross my mind. And the epitaph recording the cause of its death: Amphan. Does a tree deserve to be immortalised? Does a tree become evergreen in history? Or it remains just like us ordinary mortals who come and go? Enlightenment makes all the difference. We are all uprooted from time to time, in so many different ways. The uprooted tree left behind a lot for me to dig up within.  

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Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short fiction and essays have been published in Kitaab, The Bombay Review, Deccan Herald, The Assam Tribune, The Sunday Statesman, Earthen Lamp Journal, and Readomania. Pal Motors is his first novel.

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Categories
Poetry

The World is Sneezing

By Ndue Ukaj

The world is sneezing

The world is sneezing in front of a virus
that has bound the earth and shakes it like a light toy.
 
People are panting like dogs after a long and aimless journey.
Everyone panting, and behind walls they compose a symphony of fear.
 
Ahead of us, more scary walls and glum news.
The planet - like a trembling heart - is shuttered
and is listening to lightning.
 
Tonight, the moon was beautiful but in the light of her face
I saw the troubled eyes of a weary world.
 
The day was sunny too.
I was sitting in the back seat of a car
snaking through silence and fear
and I saw nature breathing without humans.
 
The clockwise are slow now.
Girls take their time getting out of their pajamas.
Women say their rosaries for new time.
And men like me are terrified in front of the black glass.
 
(Also terrified are those who sit in huge castles and on high thrones.)
 
Beyond is silence like a raging ocean
where ships drown with longing -
and prisoners see Eden burning.
 
The clockwise move slowly now.
The news spreads fear faster than the virus.
One counts the hours of life ahead
and sees the final destination - death.
Younger ones pant like tired dogs
and put out cigarettes in their burning hands.
Children fill sacks with toys
and, confused, wait for a new day.
 
But there are also those who don´t need clocks and calendars:
that old man sitting under his beloved tree,
doctors who fight to save more lives.
Groups of reporters roam, like the wind that warns of worsening weather.
Bad news is growing they say
because some people have closed their windows on good news.
 



The media is full of sadnesses
and troubling reports
overflowing with viruses and microbes.
 
Humanity sneezes anxiously.
In this long night of frightening darkness.
I sit in the back seat and watch the evil hearted sneeze
but also hear kindhearted voices confessing on the altar of forgiveness.
 
But when the cathedral bells ring
everyone turns their eyes to heaven.
They sneeze again and pant,
and pray that tomorrow the world will get better
and celebrate a great mass of love.





Laura’s Sunday

In her city there is a ruined cathedral
in the midst of ruins
its choir is missing
and there is an “Ave Maria” song.
On the road edges, stones relieve pain
only the choir traces are together with dry
flower bouquets
There are many dogs, and trash

There is a large piano without its proper place.
 
In her city there is a ruined cathedral
longing for bells’ sounds to awaken her
she wears a beautiful dress, whispers Ave Maria
in solitude.

She has a sweet voice, every Sunday she goes into the ruins, talks with stones,
with flowers that do not blossom easy
Through ruins
and wipes her happy eyes without trying the voice in a choir.
It is Sunday and her delighted eye is resting
She sings Ave Maria in solitude.
With an eraser of love she erases time’s invoice
which leaves behind
while gathering her hands over her pretty breasts,
in silence opens the new page
and writes a senseless verse.
It is Sunday
she is awakened while dreaming a love temple
and song sounds.
 
Ave Maria is alive!
and waits for nature to become prettier,
the same as a flower is prettier with all its beauty,
and to join the choir of life.
She walks over the ruins of the cathedral and lights a candle
her pretty knees touch the solid stones.

Ndue Ukaj (1977) is an Albanian writer, publicist and literary critic.
His poems has been included in several anthologies of poetry, in Albanian, and other languages. He has published several books, including Godo is not coming, which won the national award for best book of poetry published in 2010 in Kosovo. He has also won the award for best poems in the International Poetry Festival in Macedonia and another prize. His poems and texts are translated into English, Spanish, Italian, Romanian, Finnish, Swedish, Turkish and Chinese. Ukaj is member of Swedish PEN.

Categories
Musings

Lockdown musings: Cleo & Me

By Santanu Das

Chandannagar Strand

The lockdown has, in various aspects, limited me to circumscribing through the daily routine, inside my house. It might sound odd but for the last few days, my timetable has been rudimentary and timed, something that has never happened before.

I have returned to my old home at Chandannagar where I hardly stayed as an adult. There are the same old forces at work, ordinary things like burning the incense sticks, drying the towel out, filling the water bottles — not quite voluntary but somewhat of a meditational retreat, almost like a recreational conformity. Amid these circumstances, I re-watched Alfonso Cuarón’s Roma (2018).

Revolving around an indigenous domestic worker in 1970s Mexico called Cleo (Yalitza Aparicio), this film plays out, with novelistic depth, inside the confines of a middle-class family where she serves. Upon revisiting it even now, I did not find myself being attached to Cleo’s domestic work, but ended up feeling part of that parallel universe, so embedded within the domestic borders. I understood how I was substituting myself as a silent member within the house where Cuarón set his wonderful film, in a way that I did not anticipate when I watched it earlier. I realise that this association occurred this time because of my position in this lockdown, at this particular point of time. Roma, then, felt not just a reminder of the cinematic power of connection but also of the universal quality of compassion which is able to erase political and economic concepts of border.

Roma takes place within the household of Cleo’s patron, Sofia (Marina de Tavira). She follows Cleo as she performs her daily chores with an effortless sense of rhythm and precision. She cleans up the yard, picks up the clothing from the bedrooms to do the laundry, and collects the youngest child, Pepe, from the kindergarten. The camera revolves around the breath of the house with abundance of tracking shots that serve to catch Cleo’s movement around the house as she carries out her endless duties whilst the family’s privacy takes place in the background.

There were so many layers to just this single sequence. Like Cleo, I find myself detached from the discourses that form the chaotic energy of my house. Even though my mother knows how much I prefer a sense of privacy, she is unable to ascertain it within the household. Someone or the other is always talking to someone else or to himself only, in a way that the other members of the house stand witness to every single incident. The only difference is that I am a member of my own home, unlike Cleo who is still a mute outsider, a perennial reminder of class divide.

In Roma, the viewer is led to identify with Cleo — since the film allows one just to see and hear what she does — it is in this way that Cleo’s relation with the domestic space and the exclusion that she suffers are experienced by the audience. When Sofía and her husband are arguing, for example, the camera does not enter into the couple’s room. Instead it tracks Cleo’s descent as she makes her way down to the ground floor and then it makes a 360-degree pan to register her last working round of the day. Whereas, it is me in my daily lockdown reality who shuts the door and moves out to a different room. I do not, for once, identify with Cleo’s subjectivity, but do so with her muteness and tightened repetition, finding myself incapable of ignoring the emotional reflexes and patterns of the domestic household.

The microcosm of my quarantined life has achieved a macrocosm– identifying traits in minor variations of routines — even in the clicking of the kitchen door that signifies lunch is almost ready. Within the perimeters of my house confinement, I have found a radical sense of individuality.

It is a realisation that betrays the very essence of togetherness — my silence to the constant bickering between my parents, insensitive political concerns, and negligence to the privacy of an individual within the space of the private. Quarantined with a dysfunctional family has its own set of demands, that aforemost erases the possibility of peaceful negotiation. Memory becomes a weapon, bluntly rummaging through unwanted topics that inadvertently creates a trigger.

Where do I begin with the subtle jabs at the past, the utter substitution of trauma with grief, that erodes any possibility of calm? It is in the simple habits that I find myself traversing the past — unable to discard the remnants in the present disposition. In this way, I remain so absorbed with my own personal inclinations, that it covers up matters of the world outside. In the heavy noise of my everyday existence, the immediate world outside slowly ceases to matter– although the ruptures of public life determine the private life inevitably.

In Roma, Cuaron deftly stitches the personal with the political, the private with the public in the staging of the Corpus Christi massacre that took place in 1971. These riots are portrayed in the narrative of Roma when Cleo and the grandmother Teresa are buying a cot for Cleo’s baby. Cleo’s miscarriage occurs while they are in the store, when some wounded students enter the store to take shelter and the paramilitaries follow them there and threaten the clients (it is actually Fermín — who impregnated Cleo in the past and left her, who now points a gun at Cleo, causing her waters to break). This sets up for the devastating sequence that is to follow in the birth of Cleo’s stillborn child.

The entire sequence is masterfully choreographed in one shot, with the audience beside Cleo on the operation table, as if permitted inside in order to comfort her. I knew what was to come — this being my third watch– and yet I found myself emotionally wrung. It was uncomfortable, and most certainly surprising to feel this deeply empathetic towards Cleo at that moment.

I never had a nanny while growing up, and stayed mostly outdoors, all by myself. Home, as it was, remained an idea, replenished with each hostel room. I never had my father looking after me, just like the patriarch of the household in Roma. I understood the soft power of domestic work, having seen my mother in my own home, and being on the receiving end of their love for years. Now, quarantined inside home, more than ever before.

Furthermore, through Roma, I saw what looked like a man’s attempt at revisiting the past, through a lens of atonement. The film serves for Cuarón a way to process how much his own childhood maid, Libo, might have had to put up with on his behalf, an effort to see the politics and loaded gestures he missed as a young child. This singular take on revisiting the past also resonated with me, of how I am more akin to the shifts in the power structures within my family now.

Today, I am aware of my presence in the room, strong and silent, completely able to exercise my opinion. Cleo is never given that agency to exercise the discourse, and even if she was, that would have never been realistic. Her silence was a necessity, not a choice.

This realisation of my control over the unnoticed, mundane noise of daily existence with such a consumptive focus makes me more anxious with each passing day. The deserted streets which I observe from the verandah of my house are haunting and haunted, a daily reminder of how I wake up to this gradual unfolding of the coronavirus catastrophe. Like Cleo, I face each day with rhythmic deterrence, but unlike her — monitor a new found vision of control. It is weird, this contrasting force of Roma that binds, and somewhat wonderful in the way it still manages to free me from its cinematic constraints. It feels just like a revelation, more certain than anything else at this moment.

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Santanu Das is currently pursuing his Masters in English from Jadavpur University, India. He writes for CinemaCatharsis and Highonfilms. He lives in Chandannagar, Hooghly.

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