By Devraj Singh Kalsi
During the lockdown phase, I started taking interest in what did not interest me earlier. As a writer fond of observing people and the world outside, my operating space was restricted now. Everything inside the house began to draw my attention. The small, minor issues and objects assumed greater importance than they actually deserved. My appetite for keen observation was evident every hour of the day.
I had no memory that the ceramic mug I drank coffee from every morning was chipped. Quite like the small scratches you do not notice when they first appear. I held it close to my eyes to check whether it was fresh. Unable to reach a definite conclusion, I shared my observation with my partner to see how she reacted. My words did not elicit her glance in my direction so I placed the coffee mug on the table without making the slightest noise.
After a long-drawn silence in which I had forgotten my query, she confirmed the coffee mug was chipped due to an accidental brush against the gushing steel tap in the sink almost month ago. Since it was emblazoned with her favourite motivational quote, she decided not to discard it. Maybe the coffee mug supplied her with the daily dose of positivity when I sat in front of her, holding it in my hand. A visual meditation with open eyes.
It was amazing to discover the curtains of the windows in my study had two colours. Unwilling to blindly trust my vision, I walked to the window, held the fabric and double-checked it. What I had considered beige had a tinge of pink as well. I resisted for a while the urge to ask my partner to spell out the colours. I framed it a bit differently soon: Is the curtain in my study room baby pink?
Her reply was prompt this time: The curtain has been washed so many times that from fuschia pink it was now turned into pale baby pink. The presence of subtle elements in everything surrounding a writer is always elevating. Subtleties make art richer. And writers always look for possible signs of it. After this observation, I was filled with the joy of imagining a reader who finds a new shade of meaning in my stories years later. Maybe someone who reads my works with great passion is the one who locates fresh sensibilities in my writing.
On the top of my bookshelf, there had been a miniature terracotta elephant and a horse. I do not exactly remember when I last saw them there. But I remember seeing them whenever I looked that side. I found them missing for the first time in three years since they were purchased from the local arts fair and placed right on top. I needed an update regarding their present location. Had they been shifted elsewhere recently? I asked my partner about the elephant first.
Thank God, you noticed that. When they came, they were small. Now they have grown up. How can they fit in there?
I was not getting what she was trying to imply through her sarcasm. Finding a blank expression on my sullen face, she said she had moved them to the terrace last year. For one year I had not noticed this change of location. It showed how unfamiliar I was with the house I was living in.
I know the rooms of my characters very well. Every nook and corner is vivid in my mind. When the world of fiction becomes so real, the real world the writer lives in tends to grow distant. Something of this kind had happened in my case.
While shaving during the afternoon, I noticed the mirror was not square anymore. The mystery of how it had become rectangle deepened. Various implausible plot angles took shape in my fecund mind. Laying them at rest because thrillers are not my genre, I rushed to seek clarity regarding my visual disturbance from my spouse who was ironing clothes.
Holding the hot iron in one hand like a shield, she looked vexed with arched eyebrows. She dismissed my repeated attempts at observing more inside the house and clarified that the square mirror fell off the wall last winter. Maybe the lizards engaged in combat had toppled it to gain more space.
I realised this tendency would continue in this manner for weeks. Many striking differences would come to my attention and it was useless to irritate others with my queries. Instead of trying to update myself with the changes I was observing quite late now, I should ignore them all and give more rest to my frenzied brain during the lockdown phase.
Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.