On August 6, 1945, at 8.15 am, an atom bomb was dropped at Hiroshima to end World War II. Archana Mohan takes us on a journey through a novelwhich gives the story of before and after the bombing & currently lauded and promoted by the United Nations for peacekeeping.
Title: The Last Cherry Blossom
Author: Kathleen Burkinshaw
When a book opens with American B-29s flying overhead and school children cowering under desks hoping they are alive to see what grade they got on their school report, it is a wake-up call.
War has no business threatening children in their safe temples of learning.
But what is war really? It is when we forget that the enemy is a human being too with lives just like ours. That, is the crux of The Last Cherry Blossom, a sparkling debut novel filled with hope and resilience by Kathleen Burkinshaw.
The story, set in Japan, in the 1940s, centers around a pleasant 12-year- old named Yuriko.
Yuriko is an average middle grader. She struggles in government mandated bamboo spear classes and can’t sew to save her life. At home, her aunt isn’t cordial to her and her five year old cousin just keeps pressing her buttons but she is a happy trooper thanks to the two people who love her and understand her like no other — her Papa, a well respected newspaper editor, and her best friend, Machiko.
Soon, there are big changes in Yuriko’s life – a new addition to the family and a stunning secret but all of those pale in comparison to a chilling realization – even though the authorities claim otherwise, Japan is losing the war against the allies.
Amidst the colourful ‘kimonos’, the tea ceremonies, dips in koi ponds, the delicious Toshikoshi Soba and the beloved Sakura Hanami (the cherry blossom viewing), the smell of the inevitable lingers on.
In a poignant moment, Yuriko’s best friend Machiko, who has been drafted to work in an airplane factory says that she doesn’t even bother moving to an air raid shelter because she is too exhausted to care. Still, they carry on, like teenagers do, with their banned American Jazz records, crushes and heart to heart talks.
Until one day, the nightmare turns true.
An ear shattering popping noise.
An intense burst of white light.
And just like that, the lives of Yuriko and everyone around her are never the same again.
In an earlier insight into her mind, Yuriko confesses that she loves mathematics because everything is black and white. But when you lose everything you love, for no fault of your own, does anything make sense anymore?
The cherry blossoms are the glue holding this story together. It is at the cherry blossom festival that the family is together for one last time, hence the title but the significance of these beautiful flowers go deeper than that.
They represent life itself — so beautiful, yet so fragile that they bloom for only a short time. The characters who lived a privileged life before, come to a realisation that not everything can be foreseen, not everything can be planned but life is about living it to the best potential.
This is not a fictional story. The author’s mother herself is a ‘hibakusha’ or a survivor and this is her true story.
No one knows the devastating effects of warfare more than the author. Effects of the radiation from atomic bombs impact generations and Burkinshaw unfortunately suffers from a chronic neurological disorder because of that.
This is a deeply moving and personal story, laying bare the far reaching effects of war and that is why the book is now a United Nations Office for Disarmament Affairs Resource for teachers and students.
Perhaps, the greatest quality of the book is the hope it weaves into the narrative despite the desolation and fear that paints the landscape after the blast.
A point it makes with the versatile cherry blossoms again.
Scientists said nothing would grow again in the Hiroshima soil for many years after the atomic bomb was dropped. Yet, the cherry blossoms defiantly bloomed the following spring.
“The cherry blossoms endured much like the spirit of the people—like my mother—who were affected by the bombing of Hiroshima,” writes the author.
Seventy five years ago, on August 6, 1945 at 8.15 am, the atom bomb or ‘pika don’ killed 80,000 people and the toll rose to more than 1,40,000 within the next five years.
As Yuriko grapples with difficult decisions in the aftermath, through her eyes, something becomes clear as day. We must never find ourselves in a position where the colour of the sky is no longer unrecognizable.
Never must we forget what happened in Hiroshima that day. Never again must we take peace for granted.
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Archana Mohan is the co-founder of Bookosmia (smell of books) a children’s content company that delivers brilliant content to the world through Sara — India’s first female sports loving character. Her book Yaksha, India’s first children’s book on the dying folk art form of Yakshagana received wide acclaim. She has worked as a journalist, corporate blogger and editor working with names like Business Standard, Woman’s Era, Deccan Herald, Chicken Soup for the Soul and Luxury Escapes Magazine. She won the Commonwealth Short Story contest’s ‘Highly Commended Story’ award in 2009. She loves interacting with budding writers and has conducted journalism workshops in colleges.Do check out Bookosmia’s website https://bookosmia.com/about-us/ for more information.
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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL.
A brief journey into the world of founder Nidhi Mishra and co-founder, Archana Mohan.
Nidhi Mishra(Left)&Archana Mohan(right)
What is the smell of a book? Bookosmia.
Bookosmia is also a publishing house that aims to promote reading among children, curates writing from youngsters and brings out books for youngsters in both hard and soft copy as well as audio books in varied languages. It was conceived by Nidhi Mishra who pivoted to children’s publishing from a 10-year banking career, post IIM, in 2017. After a fast paced career, she quit as Vice-President of HSBC (Hong Kong & Shanghai Banking Corporation) to create something from scratch in a space she was passionate about, making better use of her time and skills. Nidhi teamed up with Archana Mohan two years ago. Mohan had worked as a journalist, corporate blogger and editor working with names like Business Standard, Woman’s Era, Deccan Herald, Chicken Soup for the Soul and Luxury Escapes Magazine. She won the Commonwealth Short Story contest’s ‘Highly Commended Story’ award in 2009.
In this exclusive, Mishra, founder and CEO of Bookosmia, and Mohan, co-founder and head of content, tell us about their journey.
When and how did Bookosmia come about?
NM*: Bookosmia was launched in 2017 as a disruptive children’s content company, hoping to make kids fall in love with reading, writing and everything else around stories. While an already cluttered space in India, children’s content was either always educative, western or inappropriate. No one wanted kids to just enjoy a good story without necessarily helping them in academics or teaching moral values. We wanted to change that.
But what kind of stories do kids really like? What better way than to ask them directly. Hence our key premise that kids are perfectly capable and deserving, of telling their own stories, is the biggest differentiator in the market.
What does Bookosmia do?
NM: Bookosmia is India’s premier writing platform for kids, publishing over 100 original digital stories a month with young writers from lesser known Indian districts like Kiccha, to the bustling metros, from Munich to New Jersey. Bookosmia recently launched its brand persona— a 10 year- old athlete Sara, fondly hailed as “our new best friend” by The Hindu recently. Sara has India’s premier and largest repository of stories for kids, by kids. Additionally she brings a whole host of fun and age appropriate content to kids through digital stories, video stories, audio stories and lots of fun activities for kids for perfect engagement for kids. That is what we offer from a product perspective.
However, we are onto a larger mission– to create a new ‘category’ of kids content, which strongly hinges on a “stories for kids, by kids” philosophy. Children lead their lives with a constant inflow of inputs. Parents, schools, teachers rarely pause to ask them for their original output. How are they feeling?
At Bookosmia, we are different from other content companies and publishers because we have a two-way conversation with our audience. Yes, we have digital and video stories to engage children meaningfully. But we also have the intent to ask them and publish how they are feeling in the lockdown, during a world cup final, after listening to our science stories. We feel making young kids feel valued and heard will help in the following ways:1) They will be able to process their emotions and launch their imagination better, instead of hopping from one activity to another. For example, we love the stories 6-year-olds write to us where animals feel lonely, are behaving badly only because they are looking for a best friend. 2) It will help them boost their self-confidence. A child who feels empowered today will grow up to be a more engaged citizen tomorrow. For example, we have older kids writing to us on issues of racism, taboo around periods, refugee situations and more. 3) It will help children feel more positive, hopeful and raise awareness by evaluating what they can be grateful for. For example, our “Gratitude during Covid” series was a perfect example where even little kids sent us entries recognizing there is a lot to be thankful for, even in these difficult times.
How did you conceive Sarachats?
AM*: At Bookosmia, we take our ‘by kids, for kids’ mantra a little too seriously! This is a company where children call the shots. Our young friends decide the topics they will write on for the month, activities and new features to be added. So, the obvious thought was why not have a young character representing us in all our interactions as a brand? That was when Sara was born.
Ms Sara
Sara isn’t a genius, nor does she possess magical powers. She is a curious and happy go lucky kid and every child will identify a bit of themselves in her. With her young friends from across the globe, Sara reads stories by kids, she listens to story tellers, she tells stories to little ones, she does fun activities and she even chats to cool older people to know more about their lives.
To us, Sara is a heart child. She has not one but many mothers! She was designed by the brilliant Parvati Pillai, ex design head of Chumbak. Our chief visual designer Aayushi Yadav has adapted the design fabulously and brought in her trademark humour, enriching Sara’s personality. As for how Sara talks, behaves and the capers she gets into, blame that all on the rest of us!
In a very short span of time, Sara has made quite an impression on our young followers. Everyday, Sara’s inbox is flooded with messages by her friends across the world who love to share their thoughts and wait to hear back from her. For them and for us, Sara has become an inseparable part of our lives.
How many children have responded to Sara chats?
AM: We publish over 100 young writers a month, so the answer is, quite a few! But it’s not just about publishing. Some of our young writers are from lesser privileged backgrounds, so the whole concept of expressing themselves in a medium like the short story, is an alien experience to them. But guess who instantly connects with them and draws them out of their shell– their friend Sara.
Similarly, some of our young writers have great ideas but lack proficiency in English and it is Sara who writes to them regularly encouraging them to put their thoughts into words without being boggled by vocabulary. We believe that every child has a story to tell and our global platform through a much-loved ambassador like Sara gives children an opportunity to express themselves and feel heard in a safe and non-judgemental space. From writing about their dreams, their family to topics like periods, disability, grief to bullying, our young writers are unafraid to write about subjects that move them. To say their refreshing optimism and understanding of the world stuns us, would be an understatement.
What made you think of the icon of Sara?
AM: Our girl Sara, is a stereotype buster. She is the answer to generalisations like “all girls like pink” and “sport is for boys”. Sure, she is notorious for breaking a windowpane or two with her football, but she is no different from any other girl in the world. She represents every child who gets picked on for ‘being different’, for daring to think out of the box and for questioning norms that don’t make sense to them. Does loving sport instead of playing house make her any lesser of a girl? Absolutely not. And that’s the message Sara brings to every child of the world. You are you. Don’t feel pressurised to change just because you don’t fit into someone else’s mould.
Is this a voluntary organization?
NM: No, Bookosmia is a for profit private limited company.
Tell us how Ms Sara serviced children across borders through the trying times of COVID.
AM : Like we always say, it is the kids who drive this company and so it should come as no surprise that our much lauded ‘Gratitude During Covid’ series was conceived out of children’s conversations with Sara where they spoke about how their lives had changed post Covid. While most adults chose to binge watch during the lockdown, children from far flung corners of the country and even abroad, took up on our call to write essays, poems and short stories about ‘gratitude’, exhibiting an incredible amount of maturity in handling an unprecedented situation.
And what delightful takes they had! While the younger ones were thankful for the cleaner air, food on the table and more time with their families, the teenagers wrote about how they had become conscious of their privilege, developed empathy for their domestic help and learnt to go ‘within’.
As a company, we felt validated. Clearly, by engaging with them meaningfully, we had been able to make children feel valued.
Are you still into bringing out books online? Or has it suffered from the pandemic too? Has the pandemic affected Bookosmia?
NM: Yes, the pandemic has affected Bookosmia, but only for the better. We have doubled our audience every month and it only speaks of the strong need that exists for safe, meaningful yet fun screen time for kids .We like to think of ourselves as the intersection of a parent’s need ( to keep their child meaningfully engaged) and a child’s want (to find relatable content).
We publish 4 free digital stories, written by kids, on our website everyday. Yes, we are releasing fewer online paid ebooks but that is mainly because our focus right now, through these tough times, is to make our free content available to as many kids as possible and build a community.
What are your future plans for both Bookosmia and Ms Sara?
NM: In question two, I touched upon our intent to create a new “category” of kids content. A few years back I used to be very judgemental of the new generation of teens. Always on social media, gunning for more likes and comments, with dwindling attention spans and enormous need for approval. Over the years, I have realized the problem was not in that generation but in the world we have created for them. Yes, they are active on Facebook and Instagram and snapchat, but which other platforms value them. We have to give these young minds a platform where they feel safe speaking up, sharing their views and stories, not afraid of being dismissed with a ‘too young’ tag.
Yes we have some excellent writers who share their stories with us. And it can be expected that children can create content(stories/ essays/ poems) that other kids will like more. Purely because it is first hand and organic. But we are not looking to churn out great authors, we are looking to make young voices feel valued.
Sara has found great relatability with children. She looks, talks and thinks like them. They have a lot less inhibition in writing to her than they would to a publishing house. We want Sara to take these stories from kids, far and wide across the globe and not be tied down to a particular country. Like any other kid, Sara is also upto a lot of things. Good at some, like sports and curious about others like Science, Art or Nature. So you will see Sara introducing kids to a whole range of topics and not limit herself to reading and writing. Also conscious that there is nothing more joyful than holding your beloved characters in your hand, Sara may soon be seen in a physical format.
*NM : Nidhi Mishra, Founder and CEO of Bookosmia.
*AM : Archana Mohan, Co-Founder and Head of Content, Bookosmia.
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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL.
Apparently, my 75 year old uncle, Kailash, is immortal.
His astrologer, the one whose perennially hanging VIP undies on the terrace are a Google Maps landmark, told him so.
I quote my uncle verbatim. “My Jupiter is in the 6th house and even if I want to, I cannot get killed this year.”
And so, whereas we ‘snowflakes’ stay at home and wash our hands till the fate line disappears, cool dude Kailash walks around the empty streets every evening without a mask or care in the world.
Do you know a Kailash? You probably do.
Do you mutter under your breath when they wash their hands and fail to do a rotational rub of their thumb clasped in the other hand’s palm? Ah! Newb.
Do you roll your eyes when they dismiss it as a ‘made in China’ defective virus?
And when they send you forwards on Whatsapp about the power of raw ginger juice in keeping the virus at bay, what do you do? Do you smirk, ignore and go back to the Mexican drug cartel show you have been binge watching?
Congratulations! People like Uncle Kailash aren’t the problem. You and I are.
We mock these senior citizens about being PhDs from Whatsapp University but forget that the same university sends them gory images of victims and statistics that probably scare the daylights out of them.
They know that people of their age, especially those with underlying health conditions are twice as likely to develop serious outcomes from the corona virus as compared to otherwise younger, healthier people.
And that is why they forward messages that claim to know ‘nature’s cures’. They aren’t stupid. They are scared. And raw garlic, gives them hope.
The virus wasn’t made in China. It is being made here, at our home, everyday. For when an ‘Uncle Kailash’ acts out and refuses to conform to the lockdown, he isn’t ‘pig headed’. He is scared.
Scared that 200 people in your area have been quarantined. Scared that he and his family will be one of ‘those’.
He doesn’t have the luxury to switch off from the crisis and ‘work from home’ as you do. He cannot meet the friends who sail on the same boat as him. He struggles with video calls. He is worried sick about his daughter in the States. He keeps checking his medicine cabinet. Anything can happen.
He hasn’t told you but he knows that even though his astrologer says he is immortal, he really isn’t. He knows that life is like a mutual fund investment. It is subject to market risks and even if you read all scheme related documents carefully, you could still get burnt.
He is so petrified by what is going on, that he cannot sleep. He has questions. Many, many of them and he is afraid to know the answers.
He is dying to speak. To unburden. He yearns for a kind word. A reassuring pat. A kiss from a grandchild. A cup of hot tea, with extra ginger. New gossip about the neighbour. Anything. Even an off-color joke about his favourite actress just to lighten up, to take his mind off the fear. Even if, for just a few minutes.
But where to start? He sneaks a look at you. You are wearing headphones. Your eyes are glued to your device. You are probably busy. He really doesn’t want to intrude. He backs off.
Later that night, he sees that your phone is charging. Perhaps he could try one more time. He gathers courage and sends you a forward.
Ting! A new Whatsapp message.
‘Congratulations! UNESCO has declared ‘Jana Gana Mana’ as the best national anthem of the world,’ it reads. You read it but don’t react. Old Uncle Kailash at it again. These oldies! The worst mistake we made was introducing them to Whatsapp.
87% charged. That’s good enough.
You plug the phone out from the charging cable and get back to your binge watching.
You are watching ‘Contagion’, a 2011 movie about a deadly virus that is about to cause misery to the entire human race.
Unknown to you, there is a deadly virus in the other room eating up an old, terrified man.
It is called loneliness.
Archana Mohan is the co-founder of Bookosmia (smell of books) a children’s content company that delivers brilliant content to the world through Sara — India’s first female sports loving character. Her book Yaksha, India’s first children’s book on the dying folk art form of Yakshagana received wide acclaim. She has worked as a journalist, corporate blogger and editor working with names like Business Standard, Woman’s Era, Deccan Herald, Chicken Soup for the Soul and Luxury Escapes Magazine. She won the Commonwealth Short Story contest’s ‘Highly Commended Story’ award in 2009. She loves interacting with budding writers and has conducted journalism workshops in colleges.Do check out Bookosmia’s website https://bookosmia.com/about-us/ for more information.