Categories
Poets, Poetry & Rhys Hughes

Night in Karnataka: A Play by Rhys Hughes

Photo provided by Rhys Hughes: From public domain
NIGHT IN KARNATAKA

Night in Karnataka. And the chapatti-flat pointy faced chap taking a nap on the lap of the cool breeze, spearlike chin piercing the caps of his hard knees, finally wakes...

My nap was nipped in the bed…
I mean bud, he said.

And he yawns in an hour long before dawn. Soon she will return and he will sing:

Yours were
the tamarind tipped mammaries
from which I sipped
with my lips
without pause.

Already he can hear her footsteps as she walks along the path next to the river. O! night in balmy Karnataka! Mango fandango and guava palaver. She croons the following:

I will strip you down and kiss you
all over. And tickle you with my
sweet tongue on the sides of your
ribs.
Then I’ll pluck one of your
ribs and make a woman. A rib-cage
ready-made maid.

HE: She can cook for us?
SHE: Yes, but you must pay her well.
HE: With what? I am penniless and feckless, a freckle-cheeked pointy faced chap, brow-beaten and lacking grace, who clearly hasn’t eaten for several days.
SHE: I have brought you a coconut. We will eat it together inside the hut. A rhyme will fill us up until then, will it not?

(She dances alluringly)

Coconut husk or husky voice.
We have no choice
but to enjoy the coconut milk
of human kindness.

HE: There is no tool to open it.
SHE: Crack it with your chin, O pointy faced chap! Thwack it once or twice or even thrice and don’t be such a fool.
HE: I know that a man in love is like a glove without a hand. I am that glove and I need a hand with the gift that you bring. To crack a nut as big as that requires more than a simple chin. It would damage my heavenly head and to be well fed I am not inclined to sin. I am feckless but clearly not reckless. That shell would be hell for my infernal chin.

And then she says:

Wary of shells
you are. I wear
tinkling bells on
my ankles. Can
you hear them from
afar? O! pointy
faced chap you
should clap your
hands and tap your
heels to keep the
fine timing of this
rhyme, to keep the
sublime rhythm
of this auspicious,
meretricious, quite
delicious song.

HE: I will clap and tap as I am bid.

(An hour or two goes by)

From his rib she makes a maid but he is afraid something will go wrong. And it does. The maid has no desire to work like a slave. She plucks one of his other ribs and makes a man before they can stop her. The maid and the new man sing an amorous duet before eloping:

Robbed of ribs he rubs
his chest. We must
confess that we
would take
any part
of his
body that was required for
us to
achieve
our desire.
A ready made
maid and her bony
beau. Off we go to set
up house together…

(No matter the weather, they flee.)

HE: They are eloping on a horse. There are no horses here. I don’t understand!
SHE: O! pointy faced chap. The coconut halves are hooves and this proves that nothing but nothing is an obstacle to true love.
He: Nothing but nothing? Now then. What is this second nothing of which you speak? Tell me quickly and kiss my cheek.
SHE: Pay attention then! Pay it with any amount of rupees you please. Pay with the coin-like reflections of stars on your knees.

O!
That is
the nothing
of the void that
we must avoid for as
long as we can. We squeak
when we contemplate
it, for it’s a void
that sits on
the chair
of our souls. Be bold! Forget
the ways of the old, we have
each other. Closer than sister
and brother, you and I. Never
before in history has a pointy
faced chap quite as daft been
so truly adored….

And they embrace each other and she sinks more deeply into his chest than usual, for he is missing two ribs. Dawn has broken but love has been mended. And there will be other nights when they will sing the simple refrain:

O! night in Karnataka!
O! night in Karnataka!

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

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Categories
Poets, Poetry & Rhys Hughes

Soaring with Icarus

The Fall of Icarus by Peter Paul Rubens (1577–1640). From Public Domain
ICARUS

Your wings soared
to foolish heights
once only;
the wax slipped away
from an angry sun,
sealing your fate
on the waters below
with your own
mortal stamp.

Few feathers
remained to fall
in your wake;
most, caught by currents
of air, circle the globe
and fall over
our cities even now.
I found one
in my gutter.


COUNTY HALL VISTA

The fountains are silent
the fishermen hunch
in the rain
After lunch, the workers
greet the day again
mayonnaise on their lips
stretching weary limbs
while the aged heron
skims low with
ponderous dignity
across the bay
beak soured in oil.

Senile Pagoda
lonely as the fishermen
who line the wharf
stuffed full with
intentions pending
never ending bureaucratic
mockeries of a system
At lunchtime the
workers feed;
I watch them through the
canteen window.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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From the Vale of Glamorgan

Tinkinswood Burial Chamber from Neolithic times. From Public Domain
TINKINSWOOD BURIAL CHAMBER

Frost shells the pitted stone
glittering like winter stars.
The early sun warms knees
of rock, the slabs that
hold the past in place.
In spring warm rain will crack
the seeds of life: tangled
roots will grow free again.
The dying echo of long ago
alone will stay the same.
But when the year is middle-aged
balding on top and tired below
though the leaves wither and die
this echo will remain.


VALE OF GLAMORGAN

On the coast
of the Vale
it avails us not
to think a lot
about passing time.

The towering cliffs
are gracious hosts
to the fossils of species
that never failed
to endure in stone.

Ammonite spirals
no longer turn
like bicycle wheels:
the past is real.
Chains of Time were frozen
when ancient brakes applied.

The tone of eternity
is a broken drone:
our minutes, our hours
are petrified flowers
in the littoral garden
of prehistory.

They die: we harden,
embedded for certain
in mineral infinity.
Vale of Glamorgan where Rhys Hughes grew up. From Public Domain

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Did He Ever?

Lafcadio Hearn (1850-1904) was a British-Japanese national of Irish-Greek descent. Also known as Koizumi Yakumo, he was a writer, translator, and teacher who introduced Japanese culture to the West. From Public Domain.
Did Lafcadio Hearn
ever write about a worm
that went to
university in Tokyo?
I don’t think so.

Did he write about a fright
that coughed all night
in the loft of
a barn in Uzbekistan?
No, he didn’t.

Did he ever tell a tale
about a purple whale
who drank tea
with Yukio Mishima?
Of course not.

Did he dance
in France with a pig
named Nancy
in a fancy club in Nantes
while wearing a wig?
Even if he did,
I care not a fig.

Did he fancy Albert Camus
and take him
to a fair where he gambled
his underpants
for the chance to win a pear?
How should I know!

Did he surf with a flea
or row with a gnat
on tempestuous seas
while thunders boomed
and blunders
loomed in a volatile sky
that resembled a curtain?
Impossible
to be absolutely certain.

Did he acutely applaud
a cute fruit bat
that loved to sing songs
and bash gongs with twigs
in twilight hours
while the sleepy flowers
shut their petals
like silky eyelids? Beats me!

So what did he do?
What about him isn’t untrue
but genuinely odd?
Did he cavort with a frog or
plot with a toad
to overthrow the lords
of chaos and dismay?

Did he rummage his way
through the remains
of the day,
barking like a dog
balanced on a log
that is floating down a river?
I suspect not.

That’s the most curious thing
to learn about
Lafcadio Hearn: no one ever
finds anything
definite to say
about his strange experiences.

I don’t even know
if he ever kissed a ghost
on the lips
or played billiards
with a host who turned out
to be a vampire
or ate toast burned to a crisp
by dragon breath
and thereby ruined the health
of his breakfast.

Confirmation is hard to find.
Sometimes I think
that all these events are just
in my mind.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Three Gothic Poems



THE CLOCK DEMON


The demon in the clock
haunted the early hours
of the heir
to an estate
so old that
all the hate
of countless generations
had faded
to a murmur in the walls.

The face behind the dial
was as melancholy, vile,
as the iron
crocodile
in the room
below the
passage where the gloom
had grown
much louder than a shout.

But this demon was silent
throughout the long nights
of winter
when the
freezing
mansion
reversed a grim expansion,
wheezing
in a manner not displeasing.

The clock: it is a guardian,
charged by aeons archean,
to chime
to death
the heir
bearing
ghoulish responsibilities
nowhere
without ceremonial fury.

They claim the creature
trapped there, not daring
to beware
will stare
at forever
resentfully
until those who truly care
decimate
the new legions of eternity.

And still the hours pass,
the demon tries a laugh,
cascading
the shades
of certain
odd hues
into a tone that you alone
will adore
if cosmic doors slam shut.


THE BEGGAR

The beggar
remembers a time
when he drank the rarest
wine from a goblet
and sprawled
on a couch, eyes hooded.

Then one day
an uninvited guest
arrived at his house, worn out,
a man in rags,
eyes ablaze, his tongue hanging
like a vast flatworm
from the lower lip of a blistered
mouth: or like a flag
drooping from a derelict ship
one evil afternoon.

The stars had shuddered
over him: the moon had juddered
high like the jawbone
of a slain man, crescent shattered
by a twisted club
and hurled into the sky.

The rich man spilled his wine
and demanded
without quite knowing why:
Are you me? A future vision
of what I will become?

And the stranger answered:
No, you are me. The future image
of what I will be
when I am no longer just a beggar
but the subject
of nostalgia: the figure in a memory.
When you become
a beggar yet again, the circular path
that pretends to be
a shady lane
may reveal itself to be a spiral chute
leading to the centre
of a brute tormentor’s awful domain.

This paradox is painful, the irony
stabs the beggar’s side
like the barbed tip of a javelin.
From rags to riches
and back to rags:
pain, bliss, and then more agony,
tragedy, comedy,
an inevitable turn of the axletree.

And so he sips his cheaper wine
philosophically,
hunched in the inadequate
shelter of the leaning tombstone
he now calls home.



THE ROTTEN DUNGEON

The dungeon rotted away:
stones crumbled,
iron rusted,
slime evaporated,
heavy keys in grim locks
melted: even
the sense of despair faded
until nothing
was left but stubborn bones.

And the archaeologists say:
there is nothing
here worth excavating.

But the screams
still radiate, propagate,
through the interstellar dust
between nebulae:
extinct at source, of course
they persist elsewhere,
swirling unknown particles
in waves of fear.

The dungeon,
a sullen impression, appears
to have done its work well:
degradation
broadcasting itself as a type
of Hell among
the brimstone constellations.
From Public Domain

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Poets, Poetry & Rhys Hughes

Midnight Tonight

MIDNIGHT TONIGHT

Midnight tonight
won’t be just any night.
Midnight tonight
will be just right for frights.

The shrivelled mummy
lumbers his doom
from the room in his tomb
to the outer gloom,
unwraps himself like god’s
gift to ghouls.

Vampires and werewolves
and men who are half bulls
wander the maze
of mythical days like fools
stuck in a funhouse.

As for Faust, he summons
the Devil in order
to revel with beautiful girls,
tumbling curls
and long legs included.

Denuded of armour, the hasty
knight swipes at
the hungry dragon who finds
him tasty after a lick
but later the bones will make
him sick. Heartburn!

Every day I learn something
new about the terrors
of specific midnights. Behind
the funeral parlour curtain
there is a monster certain
to pull your head off
if you draw back those drapes.

A witch doctor has arrived
in town, a wizard
in a gown made from toad
skins: he is thin
and radiates weird despair
from the stare
of his sorcerous spiral eyes.

Who among us dares ignore
the wise words
of scholarly mythographers
who caution us
to avoid minotaurs and men
with paws and claws instead
of normal hands?

There are ghosts who love to
spread themselves
thick on the toast of our sixth
sense: we shudder
inexplicably when, wickedly,
they tickle us
spookily right from the inside.

Now I want to talk about the
cobwebbed bottles of black
wine in the cellar where
ape skeletons wear dresses
decayed into tentacular nets,
fibrous, phantasmagorical.

But
let me pause for a moment
to re-read what is written
in these lines…

I think the knight and dragon
in this poem are out of place
among the entities
of gothic nightmare elsewhere
found here. On the
face of things they bring down
the eerie quotient,
ground the horrors in whimsy.

The face of things? A hideous
visage indeed
connected to a grotesque head.
And now I just need to repeat
the first stanza
and we can all go to bed.

Midnight tonight
won’t be just any night.
Midnight tonight
will be just right for frights.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
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Two Pizza Fantasies

I can’t quite remember the first time I ate pizza. But I do remember that it came as a revelation. What a marvellous invention! The circular kind seems superior to the square or rectangular style, I don’t know why, and thin crust is better than deep pan, again I am unable to offer an explanation for this truth, though I guess mathematics definitely plays a role. But why a thin circle should be tastier than any other shape is beyond my understanding. No matter! The important thing to know about pizzas is that there are very few official variants, all vegetarian. It is a Rule of Naples that this should be so, Naples where pizza originated, and who are we to violate the ancient laws of a distant land? There is the margherita and the marinara, both simple and delicious. I don’t know if any other variations are acceptable. I am a pizza eater, not a pizza pundit. Let us be satisfied with those two types. And now allow me to present a story and a poem both themed around this most delectable of cheesy meals!

Down in the Park

There had been another report of a flying saucer over our town and this time I believed it. I saw it with my own eyes, not with anyone else’s, because I generally use my own eyes to see things. How about you? Maybe you use the eyes of your best friend, borrowed when he is sleeping, but I don’t do that. Messy and inefficient.

Anyway, I saw the flying saucer when I rose in the early hours to fetch a glass of water back to my bedside table. Flashing lights, weird flight path, eerie low drone and no sign of any trickery at all. Actually it wasn’t water in my glass. It was neat brandy and it was in a bottle, but I don’t want you to think I’m an alcoholic. I don’t want you to think I was drunk when I saw it. I wasn’t drunk.

I was as sober as an octopus. A postgraduate octopus.

The flying saucer hovered above my garden briefly, as if waiting for something, but I didn’t run out in my pyjamas; the grass was wet and I couldn’t find my slippers. I suppose you would have worn waterproof shoes made from the stitched skins of watermelons? That’s the kind of person you clearly are, but I’m not, no sir.

So I forsook the opportunity of getting a closer look. Too bad. Too bad is what you are. A scoundrel.

The next morning, I met Clive in the bakery. I was buying iced buns and so was he, but to my mild surprise he also bought a pizza, vegetarian, with a topping of extra olives.

I have to stress that my surprise really was mild. It’s not as if he was buying a machine gun made from bread or a cake in the shape of a centaur’s elbow.

“Did you hear about the—,” I began.

“Yes, Douglas, yes; I saw it myself and I stood and wondered. It hovered above many gardens, that flying saucer thing, including mine, and then it moved on. What purpose did it have? I pondered long and suddenly I realised!”

“You did what?” I croaked.

“I realised the truth about them, about the flying saucers. I know what they are and why they come here. I’m going to the park now and if you accompany me there, I’ll explain everything to you. Even though you aren’t as intelligent as me, I feel sure you will be able to understand the meaning of my words.”

The chance was too good to miss, so I followed Clive along the street that led to the nearest park. When we got there, we gravitated to the lake, as always, and watched the ducks. Some men watch women in the park, but not me. I watch ducks. That’s just the way it is.

I munched on an iced bun and cast my spare crumbs into the ripples. I often do that. I cast crumbs. I am a crumb caster. What the heck are you?

The ducks were happy to eat the morsels I offered them, but Clive held my arm in a powerful grip, most unlike him, because even though he is a strong man he is a bit of a simpering clot, and he prevented me from casting more pieces.

“Watch this!” he cried, so I did.

I often watch things when asked to do so.

Sometimes even when I’m not asked, I will watch.

I am a crumb casting watcher.

Like a discus thrower, Clive rotated on the spot and threw his pizza as far as he could. It was still warm, that pizza of his, and the olives glittered like crystals, and steam rose from the tomato paste as it soared over the waters. I know little about the aerodynamic properties of Italian cuisine, but it seemed to hang in the air for ages.

Then it dropped into the lake and sank.

“I was expecting it to float,” I remarked feebly.

But Clive was ecstatic. “Did you see? The ducks misunderstood it! They simply didn’t know what to make of it! They didn’t recognise it as food and why should they? They don’t know what a pizza is. That proves my point!”

I frowned. “You mean that—”

“Yes, Douglas, yes! Flying saucers are scraps of food that are being thrown to us by aliens from outer space. It’s so obvious! Why has no one thought of this before? We throw food for ducks; the aliens throw food for us. It’s a perfect analogy! Flying saucers are alien pizzas!”

I didn’t believe him, and I told him so. But that same night I moved my dining table and a solitary chair into my garden and sat there, expectantly, with a knife and fork.

I’m still there, waiting. And I’ve drunk all the wine.

So I’ve started on the brandy…

And I am wondering what the aliens are like.

Maybe they are like you.

In fact, I now think that you are one of them.

You cosmic rascal!

TAMPERED WITH 

The evidence
was tampered with
in Tampa.
I read about the case
in the Italian newspaper,
La Stampa.

But why was a crime
committed
in far flung Florida
considered
so newsworthy in Naples
and Rome
when there were horrider
cases much closer
to home?

It’s because of the man
suspected
of being behind the scam,
Don Avidograsso,
the celebrated mafioso.

He had defrauded a bank
of millions
one quiet morning
with a few trusty minions.
But he had made
a fatal mistake:
leaving behind the pizza
he’d baked
for his lunch, a margherita.

This delicacy was taken
and placed
in storage for forensic
examination.
Undigested, it would
provide a clue
as to who
should be arrested.

Everyone knows that Don
Avidograsso is
obsessed with margheritas.
No other pizza
is to his taste, but in haste
to flee the scene
he had abandoned it like a
discus in a dream.

Aware of the danger
he was in,
Don Avidograsso forced
entry into
the storage facility
one night
to alter the incriminating
pizza by
adding toppings regarded
as rotten
by his unforgiving culture.

Pineapple slices, no less!
And now
let me confess
that I never could assume
that a purist
such as Don Avidograsso
would ever
find room in his stomach
for the Hawaiian
variety of pizza, a travesty
to his way
of traditional thinking.

Such evidence would be
inadmissible
in court! But he was seen
and caught
by an alert guard not hard
of hearing.
Don Avidograsso’s belly
gave him away,
rumbling and grumbling
all the way
like thunder over the sea.

His pizza tampering failed
and now he waits in jail,
hungry and gaunt,
the same way
we wait in this restaurant.


Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Poets, Poetry & Rhys Hughes

Dylan on Worm’s Head

Worm’s Head. Photo Courtesy: Rhys Hughes

When I learned that the poet Dylan Thomas had spent an uncomfortable night stranded on a headland called Worm’s Head I wondered what thoughts, if any, had gone through his mind at the time. The headland in question is the furthest westerly point of the Gower Peninsula.

I know Gower well. I have often hiked the coastal path that winds around this spectacular wedge of land that juts into the sea. I have climbed on Worm’s Head, though I have never been marooned on it. The headland consists of three small islands connected by causeways.

The main causeway linking the formation with the mainland is covered when the tide comes in. In fact, it is only accessible on foot for two and a half hours either side of low tide. This means it is very easy to become stranded on the headland, to be alone on the Worm.

It is perilous to attempt to swim back to shore. Many people have come to grief in the endeavour. Official advice is to remain on the Worm until the tide turns. That is what Dylan did. He described the headland afterwards as “the very promontory of depression” but before his unsettling experience as a temporary castaway, he was fascinated by its contours, the air of mystery surrounding it, a feeling almost of some ancient magic.

The headland has a distinctive shape, rearing out of the sea like the dragon it is named after, for ‘Worm’ originally was ‘Wurm’, a Viking word for dragon, and has nothing to do with wriggly soil-dwelling terrestrial invertebrates. It is a fossilised monster, a petrified myth, an undulating geological feature that seems poised to dive down into the depths.

Dylan scrambled over the rocks with a book and a bag of food, and when he reached the ultimate point of the Worm, the head itself, he made the classic mistake of falling asleep in the sun. When he was awakened by chills, he saw that it was sunset, the tide had come on, he was cut off. And so, he huddled on the coarse grass, frightened of “the things I am ashamed to be frightened of,” and waiting for the tide to go back out.

What things scared him on that little adventure? The ghosts of his fraught imagination? I know from experience how our senses can deceive us when we are in similar situations. I have bivouacked on enough beaches and islands to understand that the slap of the sea on reefs, the rolling of submerged pebbles, the cries of nightbirds, the breath of the breeze, can sound like the footsteps of goblins, demons, imps, the whisperings of phantoms, the groanings of ghouls. And so I wrote a poem for Dylan and the Worm, a poem in the form of three islands, each linked by narrow causeways…

Dylan

on the tiny hill

at the end of the causeway,

stranded by high tide and waiting

for it to recede again so he might escape

back to normality. But there’s no

normality in the whole land,

only the devilish

night

&

those

gusts of icy wind

that bite the exposed flesh

of wrists and throat that poke out

of cardigan warmth. Next time he’ll check

the tide times and plan a crossing

with more care, he’ll boast

appropriately and

laugh

a

brisk

laugh that’s more

like a dragon’s bite in the

way it sounds, a legendary snarl,

but now his knees are drawn up and fears

gnaw gently on his spirit’s bones,

a man alone, far from home,

musing on a stone

skull.

Worm. Photo Courtesy: Rhys Hughes

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Poets, Poetry & Rhys Hughes

The Desk

I am currently staying with friends in the city of Exeter and they have given me a room, a room that contains a desk and a chair. This is a huge relief. One thing I have discovered since returning from India three months ago is that a desk is a valuable and uncommon item. I had always taken them for granted before. They never impinged on my consciousness.

My consciousness was rather neglectful in that regard, it seems. I assumed that everybody in the world regarded desks (and chairs) as fundamental aspects of existence. It simply never occurred to me that people might not require desks because they didn’t need to write books. I had forgotten that not everyone writes books all the time. What an oversight!

Since arriving in Britain, I have stayed with friends in a variety of locations but, only in Exeter, have I had a desk and chair. Only here, have I been able to sit and work on my next book. Or rather, only here have I been able to do so with relative ease, sitting perched on an adjustable chair, slightly hunched over, three fingers on each hand tapping away at the keyboard (I was once a two fingered typist but I have since improved), a desk lamp providing illumination and a mug of coffee not far away, and even disordered pages of written notes sharing desk space, because it happens to be a big desk.

Yes! A desk large enough to include not only my computer but books and messy piles of paper with garbled messages on them (messages that made total sense when I wrote them but now seem baffling and cryptic). There is plenty of spare space for me to move my mouse with grand sweeping gestures (instead of trying to restrict it to an area no larger than a beer mat). I have found a paradise of sorts. It is a desk that fulfils its promise, a desk that has no wobbly leg, that is high enough to prevent my legs bashing against the edge (and it is a blunt edge, thank goodness) but not so high that I have to crane up. It is a good desk, noble and honest. It is a friend and facilitator.

I don’t mean to sound ungrateful but friends who have accommodated my presence in their houses (while I seek a permanent place of my own) have been unable to cogitate the importance of a desk because the act of writing seems of no great importance to them. Can’t you balance your laptop on your lap? That is a question that seems perfectly logical to them. But no, I can’t. It slides off, just like cats often do when they fall into a deeper sleep and their muscles relax. My computer might call itself a ‘laptop’ but that seems to be a nickname rather than an accurate description of what it can do.

Well, if you can’t balance it on your lap, just don’t write anything. That is their solution to my dilemma. And I have written less, yes, and I do miss the big desk I had in India with the power socket right next to me and enough space on a generous surface for two or more mugs of coffee at once. Indeed, the desk was large enough so that my wife was able to do her writing on her own computer at the same time without either of us interfering with the other! Can you imagine a desk like that? That was a palatial desk.

Of course, I have done my best to improvise. I have used a cardboard box as a desk and sat on the edge of the bed. I have used the edge of the bed as the desk and sat on the cardboard box. I have tried to use a narrow bookshelf as a desk, standing up to type while striking my head on the shelf above it. I sat on the stairs and used the higher step as a desk. None of this has been practical or comfortable. Desks are hugely underrated.

One of my friends kindly gave me a bedroom into which she thoughtfully placed an inflatable bed and then she inflated it for me with an electric pump. It was a small room and the bed, fully inflated, was very large, so large that it took up all the space in the room, every cubic centimetre. Opening the bedroom door, I was immediately confronted with the bulging bed, which I had to climb onto. I tried writing on this bed but there was a leak. It slowly deflated and before long I was in the middle of a choppy pseudo-sea, feeling nauseous, while my fingers kept missing the keyboard of the undulating computer. No wonder sailors lost on the ocean have written so few books!

It is a different situation when I am looking after cats or dogs or other pets for friends who are away on holiday. Then I am able to employ kitchen tables as desks (although cats seem to want to take up most of the space on these surfaces too) and my computer and notes don’t even have to be cleared aside for dinner. I can eat dinner on my lap somewhere else.

That’s right, laps are for dinners and pets, not for laptops. I know there are writers who can write without desks and chairs. People who can sit cross-legged on a carpet on the floor or even while in the lotus position, serenely balancing the computer on their kneecaps as if it is a bridge anchored to two boulders and spanning the abyss between them. I admire such individuals, I guess, but I am not flexible enough to do likewise. I mean, I have a flexible mind, but my body doesn’t follow the example my mind sets.

Some ingenious inventor ought to invent a portable desk that folds up and can be carried in a pocket. Also, a chair that can be carried in the other pocket. It would reduce the frustration and sadness of desk-bound scribblers like myself. It would be an act of mercy. An alternative solution is for everyone in the world to start writing books, so they appreciate the necessity of a desk. In the meantime, I am making good use of the desk I have been loaned and I will miss it when I am gone from my current temporary residence.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Poets, Poetry & Rhys Hughes

Lines for Loons, Loonies, and Such-like…

SAILING AWAY

I sailed across the seas
balanced on my knees,
each kneecap in a little
toy boat and for sails the
flaps of my big raincoat,
open to catch the breeze.

TURNING THE DIAL

Nash your teeth in envy, Ogden,
when you read this rhyme
for I have turned the dial higher
on the daftness amplifier
and now it’s on eleven,
which is two more than nine.


WHAT WE CALL

I sometimes wonder
what we call a sea
in which a brave dog
swims desperately
through tempestuous
and perilous waves?

Rough! Rough!

CALLING MY BLUFF

Someone called my bluff
earlier today while I was
sunning myself in the park.
“Here boy! Good bluff!
Who’s a good bluff then?”

And it actually came running!
I have seen some weird
stuff in my time but never
a bluff that runs. That was
tough on my sense of fun.

CROOKED SMILE

Someone just told me
that I have an old crooked smile
and I must confess it’s true.
My smile embezzled
100 doubloons from
the East India Company in 1642

CHARGING MY PHONE

I am
charging
my phone.

The field is
a large one
but I think I’ll be able to
gore it before it reaches
the gate.


THE WINDS IN SEASON

Spring Summer Autumn Winter
do your worst, blow your best.
There’s a splinter in the sprinter.
North, South, East, and West.

Winter Spring Summer Autumn
put your boots on and come forth.
Silver talons finally caught them.
East, West, South, and North.

Autumn Winter Spring Summer
scrub the dishes for the feast.
Fools in clover are made dumber.
South, North, West, and East.

Summer Autumn Winter Spring
Arch an eyebrow, gape a mouth.
Hark the harps unattended sing.
East, West, North, and South.

SCIENTIFIC POETRY

Newton with a suit on
Einstein eating limes
Archimedes in a tree
and that’s just three
who rhyme.

Von Neumann in a bath
Faraday on a trampoline
Gödel playing castanets
and that’s just three
who don’t.


MY BROTHER


My brother
is captain
of a soccer team
and he wants me to play
in goal. And he says
that if I refuse
they will lose the game
and he’ll weep
and do some other
melodramatic things.
But why should I
oblige him?
Am I my brother’s
keeper?


AS A SPOON

I went
to a fancy
dress party
yesterday.

Most of
the evening
remains
a blur.

But I know
that I was
the only man
in the room
dressed as
a spoon.

Caused quite a stir.



THE BAD BANDIT

The bad bandit
has been banned
from banditry
because his moustaches
when twirled
got out of hand
on his face.

So he joined a band
in which he plays
a rubber band mandolin
and now it’s only girls
who twirl on the
dance floor during
the encore.

Not his whiskers anymore.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International