An Immersive Translation

Book Review by Rakhi Dalal

Title: Boy, Unloved

Author: Damodar Mauzo

Translated by: Jerry Pinto

Publisher: Speaking Tiger Books

The Jnanpith and Sahitya Akademi Award winning Konkani novelist Domodar Mauzo’s Jeev Divum Kai Chya Marum is translated into English as Boy, Unloved by the acclaimed writer, Jerry Pinto. The translation succeeds in offering an immersive experience to the reader, especially of the life, sights and cuisine redolent of a Goan village in the backdrop. Although a reader, in the absence of knowledge of Konkani and hence the original work, may not be able to gather the nuances often difficult to translate.

This novel is a bildungsroman which follows the life of its protagonist, Vipin Parob, born into a loveless marriage in a serene village in Goa. It navigates his lonely formative years and explores his friendships in teenage years. While the exploration of his growing up years as a kid wrenches the heart of a reader, those of his later pre-adult years leaves one with an unsettling feeling. And that makes a reader wonder at what went amiss…

At the outset, the harrowing circumstances within the family of five-year-old Vipin are revealed. His house, with its closed windows and doors, restricts his body and mind. He becomes lonesome, finds solace in books and has difficulty making friends at school. In an environment which stifles him both physically and emotionally, he adheres to reclusiveness to cope with his ruthless father and careless mother. An unloved child of a bitter and broken wedlock, Vipin’s plight, as stunningly portrayed by the author, wrings the reader’s core. Mauzo’s incisive insight into the complexities around childhood trauma emerges in his portrayal of Vipin’s manners. His submissiveness in front of his parents, because of the treatment meted out to him perhaps, indicates how distress during childhood years may affect a person’s sense of self-worth. In fact, when his brilliance in academics makes his father’s relation with him transactional, where he is favoured because his father believes he can become a doctor, Vipin lets go off his own desire to study the subject he likes.

During his time in junior college, Vipin comes across people he befriends. Martin Sir, his English teacher from school, is the first person who understands and mentors him. Subsequently, although reluctantly at first, he manages to forge meaningful connections with Chitra and Fatima from his college. Krishna (initially a house help), and Amanda (the nurse caring for his mother later) also become people he can relate to. However, a narrative inconsistency appears in the depiction of the dynamics among teenagers, Vipin, Chitra and Fatima who despite becoming very close to each other, grapple with unnecessary confusions. Where Vipin’s character appears reliable, the characters of both Chitra and Fatima come off as unreliable. Perhaps because they are not fully explored and much appears unsaid in terms of their backgrounds and their mannerisms.   

Regardless of the lack of love and care in his familial relationships, when it falls upon Vipin to take care of his ailing parents during their respective illnesses, he does it with a sense of responsibility and concern, if not love. It is something that also comes forth in his relationships with others, whether it is helping Krishna to study further, helping him financially or protecting Amanda from his cousin.

Mauzo, very strikingly captures the quagmire which makes a vulnerable, unloved child grow up to become a young adult who fiercely feels protective towards people close to him. However, Vipin’s journey of exploration of his self and subsequently of his aim in life, wrestle with disparities thrown at him by circumstances. The loneliness of his heart swells to consume the ties he forged in hope of love, leaving an emptiness he finds difficult to conquer. For the invested reader, it renders a disconcerting mark.

Rakhi Dalal is an educator by profession. When not working, she can usually be found reading books or writing about reading them. She writes at https://rakhidalal.blogspot.com/ .

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