Categories
Review

A Tapestry of Human Stories

Book Review by Rupak Shreshta

Title: Rose’s Odyssey: Tales of Love and Loss

Author: Sangita Swechcha

Translated from Nepali by Jayant Sharma

Publisher: Book Hill International

Rose’s Odyssey:Tales of Love and Loss is a translation of ‘Gulafsangako Prem1’, a short story collection in Nepali by Sangita Swechcha. Jayant Sharma, the translator, has displayed his incredible skill transmitting  the essence and the texture in his translation as they are in the original version.

Swechcha’s writing moves across geographies and emotional landscapes. In Rose’s Odyssey, we see the influence of her own journey: born and raised in Nepal, her time spent in Australia, and her life in the UK. Her experience of multiple cultures gives her work both depth and relatability. She writes not just as a woman, or a feminist, or a diasporic voice, but as a humanist. Her stories resonate because they are grounded in truth and told with generosity.

Several reviewers on Amazon have echoed the sentiments generated by the stories. Dr. Tamer Mikhail describes the experience as “mesmerising,” noting how vividly the characters come to life. Ketan Varia praises Swechcha’s exploration of how life unfolds and the unintended consequences of human choices, while Nirmala Karanjeet highlights the wit, humour, and deep perception of human emotions in every story. These voices of readers moved by the same qualities.

Among the twenty stories, a few stood out with particular force. The titular story, ‘Rose’s Odyssey’, reminded me in scope and ambition of Homer’s Odyssey. Yet this is no imitation. Swechcha’s tale of love, betrayal, vengeance, and repentance transcends a simple love story. It is a story within stories, a tapestry woven with dramatic shifts and psychological insight.

Another memorable piece is the final story, presented in diary format. The narrative offers a poignant glimpse into diasporic life, told in a male voice, which is an unusual and ambitious choice for a female writer. The story’s ability to inhabit male psychology with such authenticity is no small achievement.

The shortest story, ‘Ram Maya’, dealing with the issue of human trafficking, is devastating. In just a few pages, it trembles with urgency. Then there is ‘Shattered Dream’, a story I had previously read in its original Nepali and was eager to revisit in English. The translation, no easy feat, is executed beautifully, preserving cultural nuances while making the narrative accessible to a broader audience. In fact, I was reminded of Toni Morrison’s The Bluest Eye (1970), particularly in how Sweccha addresses themes of bodily autonomy, survival, and the commodification of womanhood.

What ties all these stories together is Swechcha’s ability to write about complex emotional terrain with elegance and restraint. Each story is deeply personal, yet universal. The immigrant experience, cultural duality, gender, longing, and resilience are all present without ever feeling heavy-handed. It is heartening to see readers on Amazon responding so positively. One reviewer calls it “an easy and interesting read,” while another from Holistic World notes how each tale is “captivating and alluring,” connected by “the thread of love.” This feedback is not only encouraging, it also affirms the book’s power to reach readers from all walks of life.

In addition to the warm reader responses and literary features, I also recall Shahd Mahanvi, author of White Shoes,  at the launch event aptly described Rose’s Odyssey as “a powerful exploration of human emotions.” She added that it is “a compelling collection that delves into themes of control, mistrust, the impulse to hurt those we love, and the complex intersections of human relationships, provoking deep reflection.”

In the year since its release, Rose’s Odyssey has had a successful run, from warm reader responses to literary features, several book signings in the UK and Nepal, and community events. Its journey is far from over. The success of the book is not just a testament to Swechcha’s literary talent, but to her ability to connect across continents, cultures, and hearts.

  1. The Love with a Rose ↩︎

Dr. Rupak Shrestha, a London-based Nepali poet from Pokhara, is acclaimed for diverse literary forms and translation. He also serves as Advisor to the International Nepali Literary Society (INLS) UK Chapter.

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Categories
Poetry

My Stetson’s Replica

By Joseph C. Ogbonna

MY STETSON'S REPLICA

Readily I have my hat made.
Skillfully, it has been crafted.
It’s bright and just won’t fade.
Two precious fabrics were grafted
To make this Stetson’s replica.

I wore it on a sunny day
To see my fondant Jessica.
It was a merry Saturday,
The best to exhibit it’s splendour.

En route to her house, it caused a stir,
As my regally crowned head raised it.
Every eye trailed me with a fixed stare.
There never was a hat ever seen
Like my Stetson of rare sheen.

Joseph C. Ogbonna is a prolific poet from Nigeria. He is published. He is also an Amazon International Best Selling Co-author. He lives in Enugu, Nigeria.

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Categories
Poetry

Seasonal Poems by John Grey

Fallen Tree by Alexandre Calame (1839-1845). From Public Domain
DEAR MAPLE

You had to come down.
You were just too close to the house.
Your branches tapped on the windows
and your roots were upsetting the foundation

But, as I stood beside you, my fallen giant,
I couldn't help but count the rings.
I almost made it to a hundred
before your beginnings
crowded out my eyes.

A truck hauled you away
leaving nothing but the odd scattered leaf.
And the stump of course,
already claimed by foraging insects.

One hundred years of life,
now no more than remnants
scatter to the far fences --
a chunk of wood reduced to rot
and the feeding of the nameless.

My being here was your bad luck.
I have to keep that in mind those times
when I think I’ve made a difference.


ON A MORNING IN MAY

Red cardinal, blue jay, goldfinch,
perch on a nearby branch –
looks like they’re working on a spectrum.

The trees are in full regalia.
And the bird’s cry for a mate
is answered in a heartbeat.

The pond ripples as constant
as the wind.
A snowy egret steps
as slow as consideration.
Willows are in water-kissing mode.
And the morning sun
is on the lookout
for its own reflected self.

This is the view from my window.
Such modest ways
of holding nothing back.


THE MAN FROM THE NORTH

He comes down from the north.
Do not go looking for him.
He’s more spirit than solid flesh.
It’s too chilly out to manifest more.

Yes, there’s someone out there
but the light is as poor as our skin is thin.
So, we hunker down in our fire-warmed houses,
prefer not to make his acquaintance.

He’s grown so large, yet still invisible.
All presence. No substance.
We see the white bird
but not the shoulder it’s perched upon.


John Grey
is an Australian poet, US resident, recently published in New World Writing, River And South and The Alembic. His latest books, Bittersweet, Subject Matters and Between Two Fires are available through Amazon. He has upcoming work in Paterson Literary Review, White Wall Review and Flights.

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Categories
Stories

‘Jai Ho’ Chai

By Snigdha Agrawal

From Public Domain

The sun beat down mercilessly on the railway platform of Karwar Railway Junction, where a group of rotund, saffron-clad priests huddled together, fanning themselves with cardboard pieces ripped from cartons. Their expressions were grim, their bellies noticeably less jolly than usual.

“It’s the end of an era, brothers,” sighed Pandit Upadhyaya, his triple chins wobbling like unset strawberry Jello. “First, they replaced bulls with tractors. Then, they put machines in our post offices. And now; NOW, they have brought AI into our temples!”

The sacred threads worn over their left shoulder, diagonally across the body, seemed to protest against their protruding bellies, yellowed and stringy, yet proudly declaring the caste hierarchy would soon be rendered null and void.  The looks of concern on their faces screamed, “Not fair…not fair at all”.

From Public Domain

“I still cannot believe it!” moaned Pandit Shastri, wiping his forehead with the end of his dhoti[1]. “A robot priest? Is this then the end of the Kalyug [2]? Else, how can a machine do what we do?”

“They say it chants flawlessly,” added Pandit Joshi, shaking his head. “Not one mispronounced shloka[3]!  No breaks for tea or chewing on betel leaves! No accidental burps during the aarti[4]!”

“Profaneness!” chorused the group, clutching their prayer beads in outrage.

“I even heard,” Pandit Sharma whispered conspiratorially, “that the AI priest does not accept dakshina[5]! No envelopes, no fruit baskets, no ghee-laden sweets. What kind of priest didn’t accept gifts?” they nodded looking puzzled.

Pandit Upadhyaya lamented. “What is our next recourse? If these AI priests take over, who will feed us? Who will drape us in silk? Who will offer us ghee-laden sweet boxes?”

A train pulled into the station just then; the platform transformed with the usual activity commencing on arrivals. Passengers stuck their heads out, looking around for tea and snacks.  Pandit Sharma suddenly came up with an idea. “Not all is lost yet.”

“Meaning?” asked Pandit Joshi, narrowing his eyes suspiciously.

“We shall sell tea! But not just any tea—Prasad[6] Chai! Sacred! Blessed! Tea infused with the wisdom of the Vedas!”

The priests considered this. It was true. If there was one thing, they were experts in, it was making offerings with dramatic flair. Why not apply that skill elsewhere?

Within weeks, they set up stalls on the platform, offering passengers their special chai.  As trains pulled in, the platform echoed with the chorus…”Om Chai Namah![7]” “Divine Masala Chai.  Guaranteed to bring you good karma!” “Blessed by Brahmins, brewed with bhakti[8]!”

Soon enough, their stall was milling with passengers keen to taste this unique concoction, prepared by none other than the four Brahmin Head Priests. The spectacle of their tea-making performance, with dramatic gestures, had everyone gawking. Served in earthen cups, each sip elicited murmurs of appreciation from the passengers.  The “Jai Ho” brand of tea didn’t take long to become a hot success.

Word spread like wildfire in the temple town.  Business boomed. The tea, laced with just the right amount of saffron, cardamom, and sacred nostalgia, had an irresistible charm. Soon, the platforms were buzzing with satisfied sippers. Every train passing through the station had passengers stepping out to sip on this special tea.

As they counted their first earnings, Pandit Upadhyaya sighed, “Brothers, who knew AI would push us into a more profitable business?”

But then, one day, a group of railway officials swooped down on them in their khaki outfits with officious looks on their faces. One of them, a spectacled man with a voice that needed no loudspeaker, spoke, “Pardon me, Swamiji’s, but we’ve received some complaints. Your tea business is so blessed that passengers are delaying boarding their trains. This is causing major delays and loss of revenue to the railways.  Moreover, it’s illegal to do business on the platform without a licence from the authorities.  Can you show the vendor licence?” he asked hesitatingly.

The priests exchanged guilty glances.

The official adjusted his spectacles, “Of course, we can set that right, as we have received a special request from the high command. The Railway Ministry wishes to introduce your “Jai Ho” chai at all major railway junctions!”

Jowls dropped, mouths agape, the priests couldn’t believe they heard right. The tufts of hair on the back of their shaved heads stood erect in surprise.

Pandit Upadhyaya beamed, “Brothers, the Gods have truly blessed us! It no longer matters that non-humans have overtaken our profession, we continue to gain from selling the brew the Gods’ drink!”

As they sipped their divine brew, laughing heartily, they looked up at the temple in the distance, where the AI priest continued chanting slokas flawlessly.

“Well,” chuckled Pandit Sharma, “at least that machine can’t make chai!”

And so, from AI adversaries to tea sellers, the priests of Karwar found their unexpected salvation—not in temples, but in terracotta cups of steaming, saffron-infused chai.

From Public Domain

[1] A loose piece of cloth wrapped in the lower half of the body

[2] The current age according to Hindu eras, supposed to be dark.

[3]Sanskrit chants 

[4] Holy offerings

[5] Honorariums

[6] Offerings blessed by Gods

[7] Bow to the blessed chai

[8] Devotion

Snigdha Agrawal (nee Banerjee) is an author of five books and a regular contributor to anthologies and e-magazines.  A septuagenarian, she has recently published a book of memoirs titled Fragments of Time, available on Amazon and Flipkart.

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Categories
Excerpt

The Wild One, Birds, Rabbits and Kittens…

Title: Fragments of Time (Memoirs)

Author: Snigdha Agrawal

Publisher: Notion Press

To say I was the wild one out of the four would be an understatement. The non-conformist in me surfaced very early on.  I never tired of climbing trees, sitting on the guava tree branches, gorging on the half-ripe fruits, rescuing kittens from overflowing drains, cycling around the golf course, swimming and dancing in the rain. Activities one would tend to associate with boys. Indulging in these activities gave me a high, like no other, despite the occasional mishaps, sometimes returning home with cuts and bruises and once a sprained ankle.  The latter memory still brings on chuckles and many more acts of dare-devilry, often landing me in serious trouble.

When I was about ten or eleven, I found myself clutching a squash racquet, sitting impatiently in the upper gallery of the court. My sibling and our best buddy were monopolising the game, deaf to my relentless pleas for a turn. Frustrated, I finally resorted to threats. “I’ll jump down and physically drag you two out!” I declared, pointing to the six-foot drop beneath me.

They burst out laughing, waving off my threat as an empty bluff. “Alright then, here I come!” I announced with dramatic flair before leaping off the gallery like a tragic superhero. Predictably, I landed flat on my skinny, bony backside, twisted ankle and all. Tears of pain and humiliation stung my eyes as I sat there, my busted pride compounded by the unmistakable warmth of pee spreading beneath me.

The scene was absurd: me, sprawled on the court floor, ankle throbbing, dignity in tatters and wet underwear adding to the shame. To their credit, the two culprits did feel a little bad. They hoisted me up and hobbled me home. Thereafter, I was sentenced to two weeks of house arrest with a plastered leg. My heroic leap had cost me not only a turn at squash but also a chunk of my pride.

The ‘Jamun’ (Java plum) season brings back more laughs—and another painfully ridiculous memory. The broad trunk of the Jamun tree in the backyard was too tall for us kids to climb, so we enlisted the gardener to shimmy up and shake the branches. The purple fruit rained down like magical stardust, scattering across the ground.

In a frenzy, I dashed across the open drain, gathering the fleshy fruits in my frock, which I’d rolled up to create a makeshift pouch. In my excitement, I missed a step and went flying face-first into the drain. The Jamuns soared into the air in protest, pelting down on me like purple confetti as I lay sprawled, filthy, and bruised.

My loyal partners-in-crime stared down at me, their goofy grins quickly morphing into full-blown laughter. Their hilarity was so contagious that even I couldn’t help but laugh at my misadventure. Covered in muck and Jamun juice, I climbed out of the drain, purple-tongued and scratched up, determined not to let Ma discover my mishap.

With my frock a casualty of war, I sneaked past her, heading straight for a long, scrubbing shower to erase all evidence of the day’s follies. No way was I going to cry or complain. If there’s one thing childhood taught me, it’s that a little dignity can survive even the most spectacular disasters.

Growing up with pets

During this period, the animal world entered our home, each one leaving under different circumstances.  Out of the many, the first that appears in my mind is a monkey, kept in the garden shed, brought out occasionally to be fed, and patted.  The gardener spotted the baby wandering around amongst the flower beds, looking lost and forlorn, in search of his mother, who probably had been chased back into the nearby Sal forests.  Baba decided to parent this little guy till he was of age and able to fend for himself.  Honestly, I never liked this furry creature, with large round eyes, vying for Baba’s attention.  Six months later, he was seen bounding off with confidence, probably in search of a mate.  

A parakeet with an orange beak, vibrant green feathers, and a long-spotted tail was the next addition to our home. This feisty little bird quickly made its presence felt, taking liberties whenever it was let out of its cage. It would hop onto the dining table and help itself to the food, unbothered by anyone’s protests. Though it was most attached to Baba, it also formed a special bond with Didi, the eldest sister. The bird would happily perch on her shoulder, observing the household with a sense of ownership.

Despite our many attempts to teach it to sing catchy tunes, the parakeet refused to comply, displaying an attitude far too big for its tiny frame. The only sound it ever uttered from its hooked beak was “khuku…khuku,” Didi’s pet name.

One day, the bird decided it was time to spread its wings—literally—and see the world beyond the confines of its cosy cage. The catalyst? A heated argument between Baba and Didi, during which Didi earned herself a thorough scolding for talking back. When she started crying, Laljhuti, the parakeet, seemed to lose its tiny green mind.

Squawking like an avian alarm, Laljhuti transformed into a miniature cyclone, zipping through the room at breakneck speed. It knocked over cups and sent saucers crashing, turning perfectly folded papers into a confetti of chaos. In its final act of rebellion, Laljhuti delivered precise nips to both Baba and Didi, leaving behind small but meaningful bite marks—souvenirs of its outrage. And then, with a dramatic flair, worthy of a Bollywood hero storming out after a family quarrel, Laljhuti shot straight out of the house.

Didi was inconsolable. Her beloved Laljhuti was gone. For days, she stood on the veranda, calling its name with the kind of desperation usually reserved for lost lottery tickets. But the green tornado had no intention of returning. Laljhuti had flown the coop, leaving behind only chaos, confusion, and a few well-placed dents in family egos.

To console her, Baba brought home a flock of colourful Budgerigars. These cheerful, social birds were more manageable and quickly became part of our household. They lived in a specially built cage, which Baba cleaned daily, ensuring their water and food bowls were always replenished. Their lively chatter often blended with our own, filling the house with a delightful din.

Over time, however, we lost a few of them and Baba decided to set the remaining ones free. With that, the “bird phase” of our lives came to an end, leaving behind memories of fluttering wings and chirping voices.

Next came a bunny rabbit, a fluffball with the whitest fur, pink glassy eyes, and a bushy tail that wiggled with mischief. This little creature was treated like royalty, roaming freely around the house and being pampered with baby carrots.

While everyone adored it, I had my grievances—specifically its habit of leaving tiny black droppings in the most inconvenient places. The worst was finding them nestled in my school shoes. There’s nothing quite like starting your day by gagging over rabbit poop.

To this day, I can’t recall what became of the bunny. One day it was there, twitching its nose and ruling the household, and the next, its cage had been unceremoniously relegated to the garden shed. Perhaps it hopped off to greener pastures, or maybe someone had finally had enough of the shoe sabotage. Either way, the bunny left its mark—quite literally—all over my childhood memories.

The last one was a surprise birthday gift for me and my twin, which arrived packaged in a shoe box, lined with layers of cotton.  A two-week-old Siamese kitten got from a litter of eight and was as tiny as the palm of my hand.  I watched Baba and Ma taking turns feeding this one with milk, prying open its mouth and squeezing the cotton ball soaked in milk.  He was named “Tuuta” and as he grew, the colour of his coat changed from white to grey and then a darker shade of grey. From milk, he graduated to eating goat entrails mashed with cooked rice and was a happy camper, rubbing his back against Ma’s legs, perhaps as a reminder it was feeding time. My twin and I fought over him, as one would fight over toys, setting dates for Tuuta’s sleeping schedule under our blankets.  One week in my bed, the next week in my twin’s bed.  Soon enough the fights ceased, with “Tuuta“, going out for overnight dates with the stray cats in the neighbourhood, probably the most sought-after male in the cat kingdom. The reasons could be his debonair looks, his pedigree and the fact that he lived in a bungalow, served gourmet meals, slept on whichever bed he fancied and most importantly, had his toilet created out of a wooden crate, filled with sand, where he performed his daily business.  Cleaned periodically. And if we so much as watched him at his job, he gave the stinky eye as if to say — “Get lost.  Let me shit in peace!”  

His entry/exit route for the overnight dates was through the open bathroom exhaust window.  One morning when Ma found he had not turned up for his breakfast, we looked everywhere and found him in the half-filled bathtub with water up to his neck, trying to scramble out, with little success.  The philanderer had missed his step on the ledge of the bathtub and landed inside.  Of course, that didn’t change our love for him.  He continued with such escapades, sowing quite a few wild oats, and ended up catching rabies.  A very sad end for him and us.  My twin and I had to take the rabies injection for a fortnight.  Very painful shots in the hips, administered by the Company doctor in the hospital.  Thus ended the saga of “Tuuta” the Siamese cat with whiskers that tickled, my favourite.

About the Author

Snigdha Agrawal (née Banerjee) is an aspiring writer who views herself as a perpetual learner on an ever-evolving creative journey. A graduate of Loreto Institutions and brought up in a cosmopolitan environment, she weaves a rich tapestry of Eastern and Western cultural influences into her literary work. Her writing is also shaped by two decades of corporate experience, which lends depth and realism to her narratives.

Spanning genres from short stories to poetry, her lifelong passion for creative writing is fuelled by a desire to connect with readers, evoke emotions, and spark reflection through her vivid storytelling.  She is a published author of five books, the latest Fragments of Time (Memoirs) is available on Amazon worldwide and on Flipkart, in Paperback, Hardcover and Kindle formats.

Now in her 70s, she embraces life with curiosity and an unquenchable thirst for learning. When not immersed in writing, she explores new places and shares her adventures on her travel blog.

Based in Bangalore, India, Snigdha finds enduring inspiration in her husband, her partner of nearly fifty years. Together, they continue to cherish and celebrate the ever-changing journey of life, which serves as the foundation for her creative pursuits.

About the Book

Fragments of Time is a heartwarming memoir that celebrates the beauty of life’s quiet yet meaningful moments.  Written by a woman in her seventies, it offers reflections on childhood, love, loss, and ageing, transforming the ordinary into the extraordinary.  With grace, humour and honesty, these stories reveal the richness of a life well-lived, reminding readers that even the simplest experiences hold profound value and are worth cherishing and sharing.

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Categories
Poetry

Poetry by John Grey

Art by Salvador Dali (1904-1989)
THE STREET MUSICIAN’S PHILOSOPHY

Thirty years from now, what will it matter?
What goes wrong now will be forgotten then.
I’ll be dead, my guitar in a dumpster.

When you toss money in my cap,
you’re funding a stranger’s problems.
Not the music. You barely listen to what

I’m strumming and singing. My body
needs sustenance to keep from breaking down.
Your spare change ends up in the pocket of some pusher.

But I’m not complaining. A boyhood dream
warms itself by a grownup nightmare. I can
call myself a musician. Addict is another’s word.

And thirty years from now, I’ll be as forgotten
as the ones that got clean, who had no music in them.
So nothing matters. But its generosity is always welcome.


PARENTS

She looks up from time to time,
as if to penetrate the ceiling,
to get at the room
where she spent ten years
nursing a dying father.

It's over now
but her stress doesn't think so.
Not while her mother’s
fragile drifting speech,
wrinkled eyes,
fall far short of knowing anyone.

These are the only parents
she will ever have –
the father of her nose,
the mother of her mouth,
one passed on from life,
the other from identity.

She once was their daughter.
There’s no name for what she is now.

John Grey is an Australian poet, US resident. His latest books are Between Two Fires, Covert and  Memory Outside The Head are available through Amazon. His upcoming work will be in Haight-Ashbury Literary Journal, Amazing Stories and River and Sout.

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Categories
Poetry

Declaring the Universe Open

Poetry by John Grey

THE BLESSING OF AFTER-RAIN

The rain has stopped.
The sky is clearing.
It’s too late for the sun
but the moon,
full and glowing gold,
does what it can
to illuminate the world.
I step outside,
breathe the newly minted air,
look up to where the stars,
in various states of gleaming,
declare the universe open
for heads titled backward,
eyes wide enough
to encompass everything up there.
I must thank the rain for this.
So much in life is intensified
by time spent with its opposite.


CHORUS


Birds sing a chorus.
And the wind orchestrates.
We shimmer in the throat of song,
the finches that come by daily,
the occasional red-winged blackbird,
the mourning doves whose grief is purely ornamental
for don't they hog the meatiest of seeds at the feeder,
and aren't their wings wide and light enough
to ride the praise and silence of our breath.


John Grey is an Australian poet, US resident. His latest books are Between Two Fires, Covert and  Memory Outside The Head are available through Amazon. His upcoming work will be in
Haight-Ashbury Literary Journal, Amazing Stories and River and Sout.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Poems by John Grey

From Public Domain
THIS HEAT WAVE

It's over a hundred.
Trees droop close to melting.
Air-conditioners whirr and whine.
The electrical grid sputters close to blackout.

Air is slow to get around
and some climate skeptic
in a row house on Broadway
wipes his brow,
unpeels his shirt,
thinks maybe this really is
the hottest it's ever been.

In my house,
with every window open,
I imagine a crystal blue stream
cascading down from mountains.
Even in my mind,
it turns to steam in an instant.


LET ME TELL YOU ABOUT THE MOUNTAIN


It was gold up there
and my head could see clear
to the next state
and to the people I knew in childhood.

Forget the wind
and the soughing boughs
and the cold rocks
and the clotted dry grass --
there were sounds
like bells ringing
and steps that penetrated clouds.

It was like a table
set for me.
And lit by one candle, one sun.

I approached
gods fit to worship
and they thanked me for my kind words
but then directed me
to deities even greater.

When I reached the peak,
the sky was a wide blue altar.
I climbed so high
just so I could drop to my knees.

John Grey is an Australian poet, US resident, recently published in New World Writing, North Dakota Quarterlyand Lost Pilots. His latest books are Between Two Fires, Covert and  Memory Outside The Head are available through Amazon. 

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Categories
Poetry

Cat in the Morning & More Poems

By John Grey

CAT IN THE MORNING

It’s dark out
as the cat takes up residence
on the sill of a wide open window.
The sparrows in the trees outside
don’t notice him
or, more likely, just don’t care
having established that he’s a house cat,
too domesticated,
too set in his ways,
too lazy to chase prey.
But then the cat yawns and the sun rises.
So he’s still powerful in that respect.

POINT REYES


Early May,
the waystation mudflats
are inundated
with sandpipers, godwits
and a squabble of
long-billed dowitchers,
all Arctic bound.

Grebe flocks wheel relentlessly
over the ponds
before settling, as one,
to feast.

Inland, small herds of
deer and tule elk feed.

Cliffs provide a rookery for heron
and their pine-tops
are full of screeching young.

Here,
life is a quirk
of its own clear fate.
Its joy is not to dabble
but sustain.


A GARDEN IN SNOW

Brushing away snow,
she uncovers the stone dog.
And its hare companion,
solid, steadfast, despite
the bitterness of winter.

Only the garden succumbs
to the heartless weather:
sunflowers slaughtered,
dahlias defeated,
tulips trampled,
rose-bushes ripped raw.
If there’s any fight left in them,
it eludes her gloved fingers.

Early March,
and it’s like looking in on children.
Some are still robust.
Most are memories.


John Grey is an Australian poet, US resident, recently published in New World Writing, North Dakota Quarterly and Lost Pilots. His latest books are Between Two Fires, Covert and  Memory Outside The Head are available through Amazon.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Fleeting Images

By Wayne Russell

FLEETING IMAGES 

Fleeting images jostling for
a permanent place in the
hallowed halls of my mind,
can't help drowning in my
nostalgia.

I hold her within the sweaty
palm of my hand, the soul of
this candle trembling in the
gentle springtime breeze.

The river continues its journey
effortlessly, lost in the haze of
millennia gone; I can see her in
dark shadows, her ghost drifting

in the abstract of life death and
everything else in-between.

Wayne Russell is a creative jack of all trades, master of none. Poet, rhythm guitar player, singer, artist, photographer, and author of the poetry books “Where Angels Fear” via Guerilla Genius Press, and the newly released “Splinter of the Moon” via Silver Bow Publishing, they are both available for purchase on Amazon.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International