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Poetry

Poems for Halloween

By Michael Burch

A statue of Lorelei on the Rhine. Courtesy: Creative Commons
SIREN SONG	

The Lorelei’s
soft cries
entreat mariners to save her ...

How can they resist
her seductive voice through the mist?

Soon she will savour
the flavour
of sweet human flesh.



GHOST

White in the shadows
I see your face,
unbidden. Go, tell	
Love it is commonplace;

Tell Regret it is not so rare.			

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.

(Published by Carnelian)

BELFRY

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.


SOMETIMES THE DEAD 

Sometimes we catch them out of the corners of our eyes—
     the pale dead.
          After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
     they descend;
	they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale grey fog, they drift
     unencumbered, yet lumbrously,
          as if over the sea
there was the lightest vapour even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
     only half-remembered.
          Though they lie dismembered
in black catacombs, sepulchres and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
     blood-engorged, but never sated
          since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must ...
Courtesy: Creative Commons

Michael R. Burch’s poems have been published by hundreds of literary journals, taught in high schools and colleges, translated into fourteen languages, incorporated into three plays and two operas, and set to music by seventeen composers.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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